I disagree. Our present time is composed of primarily cinematographic, telecommunicational duration.367
↪Number2018 "How could one present “present”? When we write or say something about our current present, we must think of the time of the occurrence of our sentences, which is our present time. This present time cannot be grasped as such: it is not yet or no longer present. It is always too soon or too late to grasp the presentation itself and present it. Such is the specific and paradoxical constitution of the event."
Heidegger does a good job of explaining this. Each of the steps you mention, bringing something into view as something new, having it present, presenting it, grasping it, identifying it, using and referring to it, these are all further articulations which do refer back to that which they articulate , but in articulating further they subtly change what they articulate , by bringing out something new about it. This isn't a problem for us because such steps are experienced as dealing with, examining, having, pointing to, positing something present. Each transforms what it deals with in its own way, as bringing it into view in THIS or THAT manner. — Joshs
In other words, they reduce the ontological difference to a difference between two ontic determinations. Being conceived as the performative difference between schematism and existence is a difference between two ontic determinations and therefore is itself on the ontic plane of propositionality. It is a present to hand thinking masquerading as post-metaphysical.
When one begins from the subjectivism of representationality, the way of out of Kantian a priorism must stand as the absolute other to representation, that is to say, it must arrive in the guise of the performance of the differentiation between Subjective structuring and Objective determination. Only in this way can the empirically conditioned and contingent beginning of thought avoid being mistaken for a Kantian unconditioned ground of possibility. Heidegger and Derrida give us a way to avoid grounding fundamental ontology in the performative difference between schematism and existence as its condition of possibility. — Joshs
I disagree. Our present time is composed of primarily cinematographic, telecommunicational duration. — Number2018
I disagree. Our present time is composed of primarily cinematographic, telecommunicational duration.
— Number2018
What is "cinematographic, telecommunicational duration"? — Terrapin Station
First, I do not endorse. Second, it was not just about Adorno’s reading of Heidegger. As far as I see it, this book reflected his existential position,his fight, and "Jurgon of Authenticity" is the least dialectical, and the most concrete Adorno's book. Later, Bordieu further developedIf you really endorse Adorno's reading of Heidegger you've got a got of a conflict on your hands. — Joshs
Let's look at the alignments.Deleuze never wrote about Heidegger, but we know Derrida is very close to Heidegger. We also know that Derrida wrote he didnt find anything objectionalble in deleuze's ideas. We also know that a community of post-structuralists including Foucault, Deleuze, Jean-Luc Nancy, Lyotard and Derrida were united in their reading of Nietzsche against
existentialist interpretations of him. We also know that Nancy talked of his close proximity in thinking to both Derrida and Deleuze, and his debt to Heideger as another post-Nietzschean thinker. My assumption is that neither Foucault, Deleuze, Lyotard or Nancy would agree with Adorno's Kierkegaardian reading of Heidegger. — Joshs
the post-structuralists were united in rejecting Adorno's Hegelian emancipatory thinking, and none of them would likely refer to Derrida's approach as negative theology. — Joshs
Yes, I want to talk about Adorno’s Aesthetics. This work is fundamental and encyclopedic.So, ltLet's talk about Adorno. . Have you found his writing to be particularly useful to you? — Joshs
Concerning time as duration, may be you could talk a little about how you understand Deleuze's concept of duration. Do you see it as similar to Bergson's? — Joshs
I would like to set up a dichotomy and see what you think of it. On the one side would be discourses which follow upon Hegel-Marx. These would include Adorno, Habermas, Badiou, Jameson, Althusser and Zizek. On the other would be post-structuralists such as Foucault, Deleuze, Lyotard and Nancy. — Joshs
While there is a shared interest uniting the Marxist and poststructurlist thinkers regarding the need to subvert representational norms, ideologies, network of significations, what would unite the Marxist group is the use of a dialectics(negative for Marx and Adorno, affirmative for Badiou) that thinks history in terms of an emancipatory telos. That is to say , while they reject an enlightenment notion of progress, they maintain a certain messianism in their faith in radical progressive political becoming. This marks the modernist element in their thinking. — Joshs
The post-structuralists, in contrast, make the postmodern philosophical move of putting into question the justification of any notion of emancipation. They read Nietzsche as determining a trajectory of emancipation as originating in a Will to emancipation, which must be subordinate to Will to Power, which has no emancipatory or any other telos. The only trajectory of Will to Power is difference. For them , political history is not diaelctically emancipatory but incimmensurably geneological. — Joshs
I think its important to recognize a distinction between what a writer like Deleuze is trying to do
and what radical post-marxist emanciaptory thinkers like Zizek and Badiou are aiming at. — Joshs
We can discuss my model of consciousness. — Joshs
• I’ve taken most vocabulary from Guattari’s book “Schiizoanalytic cartographies”; mimetic emulation is from Girard; I used Guattari’s model on pg. 27:First, a couple of questions. Who are the primary references for the vocabulary you are using here? Deleuze-Guartari? Does ‘mimetic emulation’ come from them or Rene Girard? Where does the term ‘conscientious universes’ come from? — Joshs
I could begin with a warning. While it sounds impressive to throw in every conceivable source of input, information, flow, both signifying and a-signifying, as possible impingments upon and definers of subjectivity, we don’t end up with anything interesting or useful except as such impingements can be seen in the light of ordering structurations and patterns. Without minimal coherence and consistency there is only pure randomness. If we are to choose a DG account of affectivity and subjectivity over other philosophies and psychologies, it must be because it is more useful to us, more clarifying and , in some overall sense, more effectively ordered, not because it offers a laundry list of infinite sources of random impingement. That large list you gave me (room, psychology, signifying and a-signifying flows, etc, etc,) is less significant in and of itself than in how it is specifically understood in its orders of relationship. We know that all these impingements jostle, form and reform subjectivity, but how do we make sure that we don’t end up reifying them such that the subject is nothing but an endless sequence of random operant conditionings? I have no problem in embracing DG in this regard as preferable to Freudian, stimulus-response and first generation cognitive models of the subject, because while at a micro level DG abandons the ordered structures and processes that define these approaches, at a metalevel it is posits a less arbitrary and less polarized model of experiential change. All that stuff coming at subjectivty from above, below and within that dissolves, ovewhelms and displaces psychodynamic id, ego and superego has a more radically intricate kind of order or logic to it that persuades us that we understand persons better through it that via Freudianism. — Joshs
Thank you for doing the work and making this case of "a cool blood killer.” It was interesting reading. DG’s concept of “an assemblage” is one of the most difficult ones; but it is a key notion to understand better “the varieties of fascism, that constitute the tyrannical bitterness of our everyday lives.” (Foucault). The political and ethical implications of different assemblages are significant – what is at stake is the question of the essence of the subject of action – is that a conscious, responsible individual or a collective impersonal agent of some kind?Protevi has spent that past few decades trying to convince us that his reading of DG gives him a method of analyzing notorious affective-socio-political situations such as Columbine that can supplement 4ea accounts. I think the details of his method give us a good opportunity to judge the usefulness of his ordering strategy, particularly with regard to affect and motivation.
I have selected what I think are pertiment passages from Protevi's 'AFFECT, AGENCY AND
RESPONSIBILITY:THE ACT OF KILLING IN THE AGE OF CYBORGS' to demonstrate how
difference operates via assemblages for him: — Joshs
After looking through Protevi’s books, I started thinking that you are right in your critique. He tries toI think Protevi’s approach belongs to the larger framework of enactivism, based on his numerous analyses of Gallagher, Thompson, Merleau-Ponty and Varela. But I also suspect it represents a less sophisticated, more reductive version than that of Thompson or Gallagher, in spite of its claims to situate subjectivity within a wider realm of the bio-political.
Whereas Protevi thinks his view is wider in scope, it may simply be more fragmented, lacking the extent of integrative impetus in Thompson-Varela’s thinking. Proteiv’s reliance on dynamical systems metaphors seems to too often begin from algorithmicly-themed and internally centered machinic processes(near-reflexive affect modules, cognitive programs). Then creativity and transformation consists of the clashing, interruption and intgerating among such independent flows, machines, algorithms.. — Joshs
I think that these fragments show how brilliant Massumi’s account of an event is. I’d like to pay your attention to the contemporary political developments in the US since November 2016, when Trump was elected. We can witness the rise and the fallWe see the same reductive tendency in Massumi to begin from self-centered algorithmic iterations which only later interaffect, resonate or disrupt each other. Whta’s lacking is a more radical thinking of interactivity. Non-linearity isn’t enough because it still operates as a deterministic metaphor. — Joshs
Note here that beginning from system as logical procedure creates a sharp oppositionality between structure and change, rule and paradox, the cognitive and the affective. — Joshs
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