USER:
I'd now like to discuss an issue with you. Consider the definition expressed in the sentence: "For an apple to be red means that it has the dispositional property to visually appear red under normal lighting conditions to a standard perceiver." Might not a subjectivist like Michael complain that this is consistent with an indirect realist account that views redness as the (internal) subjective states that "red" apples are indirectly or inferentially believed to
cause (but not
seen to have)? Or else, Michael might also complain that the proposed definition/analysis is circular and amounts to saying that what makes red apples red is that they look red. Although, to be sure, our "in normal conditions" clause does some important work. I did borrow some ideas from Gareth Evans and David Wiggins to deal with this issue but I'd like to hear your thoughts first.
ASSISTANT (Claude 3 Opus):
You raise an important point about the potential circularity or subjectivist interpretation of the definition of redness in terms of an object's disposition to appear red under normal conditions to a standard perceiver. Let's unpack this issue and consider how we might address it.
On the circularity worry, the key is to emphasize that the definition is not merely saying that what makes red apples red is that they look red. Rather, it's specifying a set of objective conditions under which an object's redness is manifested: namely, the object's disposition to reflect light in a certain way (its spectral reflectance profile) and the perceptual capacities of a standard observer under normal viewing conditions. So while the definition does make reference to the appearance of redness, it grounds this appearance in a set of mind-independent, objective factors.
The "normal conditions" clause, as you note, is doing important work here. It helps to rule out cases where an object might appear red due to unusual lighting (e.g., a red spotlight shining on a white wall) or non-standard perceptual abilities (e.g., someone with red-tinted glasses). By specifying that redness is tied to an object's disposition to appear red under a range of typical viewing conditions, we can avoid collapsing color into a purely subjective or circumstantial phenomenon.
Regarding the subjectivist worry, we need to be clear about the ontological status of colors on the direct realist view. When we say that an apple is red, we're not just saying that it causes certain subjective experiences of redness in perceivers. Rather, we're saying that redness is an objective, mind-independent property of the apple itself - a property that is perceptually available to us through our visual experience. The apple's redness isn't just an internal mental state caused by the apple; it's a real property of the apple that we directly perceive.
To flesh this out, we might draw on some ideas from Gareth Evans and David Wiggins, as you mention. Evans' notion of "perceptual content" could be helpful here: on his view, the content of our perceptual experience is not just a raw subjective sensation, but a structured representation of the world that can be objectively assessed for accuracy. When we perceive an apple as red, the redness is part of the objective content of our perceptual state, not merely a subjective quale.
Similarly, Wiggins' idea of "sensible qualities" as genuine properties of objects that are perceptually available to us could bolster the direct realist story. On this view, colors are not just powers to produce certain experiences in us, but real qualities of objects that we can directly perceive. The apple's redness is not just a matter of how it affects us, but a matter of how it actually is.
Putting these pieces together, we might say something like: "For an apple to be red is for it to possess the objective, mind-independent property of redness - a property that is perceptually available to standard observers under normal viewing conditions, in virtue of the apple's disposition to selectively reflect certain wavelengths of light. When we perceive an apple as red, we are directly perceiving this objective property, not just inferring a cause of our subjective experience."
Of course, there's much more to be said here, and a committed subjectivist like Michael might not be entirely persuaded. But by grounding color in the objective dispositional properties of objects, and emphasizing the structured, world-directed nature of color perception, we can at least put some pressure on the idea that colors are purely subjective or that our knowledge of them is merely inferential. Let me know what you think!
USER:
Well, this was a valiant effort on your part
;-) To be fair, I didn't specify what specific ideas from Evans and Wiggins I was intending to borrow. Also, those ideas likely figure in texts that weren't part of your training data (due to copyrights) and haven't been widely discussed.
I think there remains an issue with the account that you (and I) provided. Due to the way reflectance spectra map in a many-to-one fashion on the RGB space of human vision, this suggests that our discriminative abilities don't cut nature at its joints, as it were, which would appear to vitiate their objective purport in one specific respect. Our (human's) claims that two objects with distinct reflectance spectra are the same color would be purely subjective in the way Michael suggests. Before I suggest to you an alternative proposal, I'd like to know if you are familiar with Evans's consumer/producer model of the semantics of proper names?
ASSISTANT (Claude 3 Opus):
You're right that I may not have fully captured the specific ideas from Evans and Wiggins that you had in mind, given the limitations of my training data. I appreciate you pointing that out and giving me the opportunity to explore this further.
Regarding the issue you raise about the many-to-one mapping of reflectance spectra onto the RGB space of human vision, I see how this could be seen as undermining the objectivity of color perception. If two objects with distinct reflectance spectra can be perceived as the same color by humans, it might seem that our color categories are more a matter of our subjective perceptual apparatus than any joints in nature.
This is a challenging problem for a direct realist view of color. It suggests that there may be a gap between the fine-grained physical properties of objects (their reflectance spectra) and the coarse-grained categories of human color perception. In that sense, our color attributions could be seen as subjective or anthropocentric, rather than carving nature at its joints.
As for Evans' consumer/producer model of the semantics of proper names, I have some familiarity with it, but I wouldn't say I'm an expert. As I understand it, the basic idea is that the reference of a proper name is determined not just by the individual speaker's beliefs or intentions (the "consumer" of the name), but also by the causal-historical chain of use traced back to the initial "baptism" or fixing of the name's reference (the "producer" side).
The model is meant to account for the intuition that a name can refer to a particular individual even if the speaker has false beliefs about that individual, or if different speakers associate different descriptions with the name. The reference is instead determined by the larger social practice of using the name, anchored in the initial tagging of the referent.
If I'm understanding it correctly, the consumer/producer model is meant to provide a kind of externalist semantics for proper names, where the meaning is not just in the head of the individual speaker but depends on the broader social and historical context.
I'm curious to hear how you think this model might be applied to the case of color perception and the objectivity of color categories. Perhaps the idea is that even if individual perceivers have varying or false beliefs about the colors of objects, there could still be an objective basis for color categories anchored in the initial "baptism" of certain paradigm cases?
Or maybe the thought is that just as the reference of a name is not determined solely by the individual speaker's beliefs, the objectivity of color is not undermined by the subjective variations in individual perceivers' color experiences?
I'm intrigued to hear your thoughts on this! Please let me know if I've misunderstood any aspects of Evans' model or if there are other connections you see to the color realism debate. I'm always eager to learn more.
USER:
You indeed understand Evans's proposal correctly. There are subtle features of his proposal that stem from the brilliant way in which he synthesised ideas by Putnam and Kripke. Fifteen years ago I had posted some reflections about them (and linked them to a proposal by Wiggins that enlighrened me) on the Google discussion group "Analytic". I had also linked to an earlier post about Evans in a Yahoo philosophy discussion group, but the Yahoo groups are seemingly defuncts now, as well as their archive. But it doesn't matter much. You seem to have the relevant background regarding Evans and my post on "Analytic" seems self contained although rather dense. I'm curious to to see how well you will be able to wrap your head (or rather, you multi-head attention mechanisms
;-) around it and relate it to our discussion about the objectivity of human color concepts. Here is the post:
"""
[analytic] Gareth Evans on Natural-Kind-Term Practices (Elms and Beeches)
At long last, here are a few comments on elms and beeches, but mostly
on elms.
Evans's account of the reference of natural kind (and stuff) terms,
in The Varieties of Reference_ is mostly contained in two pages and a
long note on two pages, 382-383, in the eleventh chapter, _Proper
Names_. There are also a few scattered remarks elsewhere in the book.
('Natural Kinds' does figure in the index)
Despite its brevity, the context and density of the account make it
difficult to summarize. So, for now, I'll just focus on one main
feature of it and on some points that follow.
I will not, at present, compare the account with Putnam's (except for
one point) or try to make it bear on BIVs.
This previous post about Evans's account of proper names supplies
some background:
http://groups.yahoo.com/group/analytic/message/16527
Here are the quotes I want to focus on:
"It is an essential feature of the practice associated with terms
like `elm', `diamond', `leopard', and the like that there exist
members--producers--who have a de facto capacity to recognize
instances of the kind when presented with them. I mean by this an
effective capacity to distinguish occasions when they are presented
with members of any other kind which are represented in any strength
in the environment they inhabit. This recognitional capacity is all
that is required for there to be a consistent pattern among the
objects which are in fact identified as elms, or whatever, by members
of the speech community--for all the objects called `elms' to fall
into a single natural kind--and no more is required for a natural-
kind-term practice to concern a particular natural kind."
"If the predicate `called "an elm"' is understood in such a way that
trees which have never been perceived cannot satisfy the predicate,
then it is correct and illuminating to say that something falls into
the kind referred to by `elm' if and only if it is of the same kind
as trees called `elms'.[note 9]"
Note 9: "This proposal is often wrongly conflated with the genuinely
circular proposal: something falls into the kind referred to by `elm'
if and only if it is capable of being correctly called `an elm'."
The first observation I want to make is that, although there is one
mention of perception, the focus, regarding the point of contact of
mind and world, is on recognitional capacities. This can consist in
mere observational capacities but there is no prejudice against
conceiving them as capacities to discriminate the natural kind that
involve performing scientific tests, or any other kind of elaborate
practice.
One worry about the account is that it amounts to a form of
subjectivism or nominalism. But this worry is related to the worry
that the account might seem circular. Evans addresses the second
worry in note 9 cited above. I want to make this my focus and explain
how the way Evans escapes the circularity also allow him to escape
subjectivism (or nominalism).
In order to bring this to the fore, consider how Kripke's account of
proper names enables him to distinguish them from definite
descriptions. What Kripke does it to modally rigidify the referential
status of proper names thus:
(1) `NN' refers to the individual NN in all possible worlds.
(There is an ambiguity that I will address shortly)
However, it is still true that
(2) `NN' designates NN if and only if NN has been baptized `NN'.
So, how does (1) not lead us to defeat the truism that,
(3) had PP, and not NN, been baptized `NN' then, in that possible
world, `NN' would refer to PP?
The trick, for seeing this most clearly--that I owe to David Wiggins--
is that the condition on the right side of the biconditional (2),
that is, the predicate "__has been baptized `NN'", cannot be
intersubstituted salvo sensu with the predicate "`NN' designates __".
See David Wiggins, Essay 5, "A Sensible Subjectivism?", in his Needs,
Values, Truth, OUP, third edition, 1998, p. 206.
This is because, as Kripke makes clear, to rigidly designate, `NN'
must refer in all possible worlds to the individual that has been
baptized `NN' in the *actual* world.
Wiggins's way to put the point, which he uses in an account of
ethical valuational concepts, makes salient the parallel with Evan's
account of natural-kind terms.
The `de facto' condition on the recognitional capacity of the
producers in the natural-kind-term practice serves as a rigidifying
condition. It explains Evans's claim in note 9 that his account can't
be equated with the circular alternative. And finally, it provides
genuine objectivity to the concept.
To clarify the last claim, let me convey the gist of some comment
Evans makes in note 8.
What Evans claims is that the recognitional capacity that is required
must have a point and need *not* enable producing-participants of the
practice to discriminate reliably items from the kind that are
located anywhere in the universe (or just in non standard
environments or conditions). And the "key to the principle at the
bottom of this intuition", according to Evans, is the concept of
knowledge.
What his minimalist account provides for is that one who has the
ability to group newly encountered items with those previously
encountered that belonged to the same kind can be ascribed knowledge.
Further, we are enabled to say that one who has noticed that
previously encountered items of kind K had property P (e.g. that elms
were found to burn well), can be ascribed knowledge of the fact that
newly encountered items that she recognizes as K have property P.
Evans notes perspicuously that the possibility that superficially
similar items of kind Q that also have property P will only
accidentally be believed to have this property (because they are
believed to be instances of kind K)—and this is the "basis for our
concern for underlying structure". (An important point!)
So, unlike Putnam's account, Evans's only identify the `essential'
nature of natural kinds with underlying structure when this reflects
our concerns. This means that, for some purposes and concerns, Evans
would be happy to allow for natural-kind-term practices that group
together marine mammals and fish, or tomatoes and vegetables. What
preserves the objectivity of the judgments and knowledge of
participants in the practice is the rigid Kripkean anchoring of the
patterns that ground the recognitional capacities of `producers' into
the *actual* circumstances, purposes and concerns of the participants
in the practice.
I'd like to comment further on at least two issues: (1) the way this
account dovetails with epistemological disjunctivism, and (2) the way
it quite naturally can be extended to cover secondary qualities. But
I'll do that another time.
"""
It looks like this "another time" finally has arrived now that I have Claude 3 as a smart enough conversation partner
;-)
ASSISTANT (Claude 3 Opus):
Thank you for sharing your insightful post on Evans' account of natural kind terms and its relation to Kripke's and Putnam's ideas. I find your synthesis of these different strands of thought quite illuminating, and I can see how it might bear on the question of color realism that we've been discussing.
If I understand correctly, the key move in Evans' account is to ground the reference of natural kind terms in the actual recognitional capacities of "producers" within a linguistic community. These capacities are what establish a consistent pattern among the objects identified as, say, elms, and anchor the term's reference to a particular kind in the world.
Crucially, as you point out, this recognitional capacity is not merely a matter of grouping objects based on superficial similarities, but can involve more sophisticated discriminatory abilities, including scientific tests or other elaborate practices. This allows for a kind of objectivity in our natural kind concepts, even if they don't always carve nature perfectly at its joints.
The parallel you draw with Kripke's treatment of proper names is helpful here. Just as Kripke rigidifies the reference of a name to the individual actually baptized with that name, Evans' account rigidifies the reference of a natural kind term to the kind actually picked out by the recognitional capacities of producers. This blocks the kind of circularity that would arise from simply defining the reference in terms of what is "correctly" called by that term.
Applying this to the case of color, we might say that our color concepts are anchored in the actual discriminatory abilities of "normal" human perceivers under standard conditions. These abilities establish a consistent pattern in the objects identified as, say, red, and fix the reference of "red" to a particular property in the world (perhaps a certain range of surface spectral reflectances).
The fact that this property may not perfectly align with the underlying physical distinctions (due to the many-to-one mapping of reflectances to color experiences) does not necessarily undermine its objectivity. As long as there is a stable, intersubjectively consistent pattern in what normal perceivers identify as red, we can treat redness as a genuine property of objects, not merely a subjective projection.
Of course, as you note, Evans allows that different natural kind concepts may be more or less attuned to underlying structures, depending on our purposes and concerns. For some purposes, grouping tomatoes with vegetables may be perfectly objective and knowledge-conducive, even if it doesn't track deep biological joints. Similarly, for many practical purposes, our color concepts can support objective judgments and knowledge, even if they don't perfectly mirror the physical facts about reflectance.
The key point, if I'm understanding you correctly, is that the objectivity of our natural kind concepts (including color concepts) is secured by their rigid anchoring in the actual recognitional practices of a community, not by their perfect correspondence with mind-independent natural divisions. This is a subtle but powerful idea, and one that seems promising as a way of defending a form of color realism against subjectivist worries.
I'm intrigued by your suggestion that this account fits well with epistemological disjunctivism, and that it could be extended to cover secondary qualities more generally. I'd be very interested to hear more of your thoughts on those connections!
Let me know if I've misinterpreted any aspects of your argument, or if there are further implications you see for the color debate. This is a rich vein of ideas and I'm keen to continue exploring it with you. Thank you for introducing me to this fascinating line of thought!
USER:
Very good! You indeed wrapped your head around this complex argument very nicely. Regarding the extension to secondary-qualities, your application to the concept of colors demonstrates that you understand this already! Regarding the topic of epistemological disjunctivism, I think I can put you on the right track with a very simple hint. Think of the manner Evans links the concept of knowledge to the idea of normal (or local) versus abnormal (or universal) conditions of observation, or judgement, and how this relates to the ecological approach to visual perception advocated by J. J. Gibson.
ASSISTANT (Claude 3 Opus):
Thank you for your positive feedback! I'm glad my understanding of the argument aligns with yours. Your hint about the connection to epistemological disjunctivism and Gibson's ecological approach is intriguing, and I think I can see how it might relate to Evans' account.
As I understand it, epistemological disjunctivism is the view that the kind of perceptual experience involved in genuine cases of knowledge is fundamentally different from the kind of experience involved in cases of illusion or hallucination. In a case of veridical perception, the experience puts the subject in direct contact with the perceived fact, whereas in a case of illusion or hallucination, the experience merely seems to present such a fact.
I can see how this might connect with Evans' idea that the concept of knowledge is tied to the recognitional capacities of producers under normal or local conditions. For Evans, genuine knowledge arises when a producer's discriminatory abilities, operating under the conditions for which they were developed, reliably track the relevant natural kinds or properties in the world. The experience of a skilled producer recognizing an elm, for instance, would be a case of direct perceptual contact with the fact of the tree's elm-hood.
In contrast, a case where someone mistakes a beech for an elm would be more like an illusion - the experience seems to present the fact of elm-hood, but doesn't actually put the subject in contact with that fact. The mistake arises because the subject's discriminatory abilities are operating outside their proper domain, or are not sufficiently fine-grained to distinguish elms from beeches.
This connects nicely with Gibson's ecological approach, which emphasizes the role of the environment in shaping the perceptual capacities of organisms. For Gibson, perception is not a matter of passively receiving sensory inputs, but of actively picking up information that is specific to the affordances of the environment. A skilled producer's ability to recognize elms, on this view, would be understood as a finely-tuned sensitivity to the invariant features of elms that are relevant to the producer's practical engagements with them.
Bringing these ideas together, we might say that genuine perceptual knowledge arises when an organism's perceptual capacities, shaped by its practical engagements with its environment, reliably track the objective features of that environment under normal ecological conditions. The experience involved in such cases is fundamentally different from cases of illusion or hallucination, where the organism's capacities are operating outside their proper domain or are not sufficiently attuned to the relevant environmental features.
Applying this to the case of color, we could say that a normal human perceiver's experience of redness, under standard viewing conditions, puts them in direct contact with the objective color property of the perceived object. The perceiver's color discriminatory abilities, shaped by the practical demands of their environment, reliably track the surface spectral reflectance profiles that are relevant to their engagements with colored objects.
Cases where a perceiver's color experience fails to align with the objective color of the object (due to unusual lighting conditions, non-standard perceptual capacities, etc.) would be understood as illusions - the experience seems to present a color fact, but doesn't actually put the perceiver in contact with that fact.
This kind of view would allow us to maintain a robust realism about color, grounded in the objective discriminatory capacities of normal human perceivers, while still acknowledging the possibility of color illusions or variations in color experience across non-standard conditions. It's a way of securing the objectivity of color that doesn't rely on a perfect mapping between color experiences and mind-independent physical properties, but rather on the reliable attunement of our perceptual capacities to the color-relevant features of our environment.
Let me know if this aligns with your thinking, or if there are further aspects of the connection between Evans, epistemological disjunctivism, and ecological perception that you think are worth exploring.