In a theory of knowledge predicated on logical structure, but initiated by physical means, the transition between the two needs no technical account; it is sufficient that the transition occurs, and is sustained by observation. Think of that transition as the major premise in a propositional syllogism: if an object affects perception and from such affect is given an appearance that represents the affect, and if....(continue to minor premise). — Mww
Actually, this is precisely where scientism fails us. It assumes that if a premise or proposition is supported by observation, then it must be true. In reality though, the fact that the referred to "transition" is supported by observation is insufficient to support the truth of the proposition or premise produced, because the "observation" itself must be verified.
If you're not familiar with the tinted glass analogy, I will introduce it to you now. It was used in middle Christianity, by Aquinas for one, to argue for the immateriality of the mind. Perhaps it was derived from a Muslim source, or even Aristotle in a slightly different format. The argument is that in order for the mind to be able to know all material objects, there cannot be anything material within the mind, because this would taint the mind's perspective, like looking through a tinted glass.
The problem this brings up, is that we cannot simply assume that the mind is purely immaterial, and is not thus tainted, and that the human being has the capacity to know all material objects through its immaterial mind. We must allow for the possibility that our observations are made through a lens, and that the lens itself, is contributing to the observation, like a tinting on the glass. Therefore, we need a clear analysis and understanding of the means of observation (and this is sense, or sensibility, in the context of our discussion), before the observations themselves can be held as valid.
In conclusion then, we need to reject your major premise "if an object affects perception...", because we need to determine how perception is constituted, and how it is disposed to be affected by objects, before we can draw any conclusions from that premise.
So we don’t synthesize within sensation, we grant a physical/mental transition, a representation being the result, and get on with it. Representation understood to indicate a “change in the subjective state”. The pure intuitions are not there, no, but the time until they are is practically instantaneous. — Mww
To continue the analogy, I will refer to sensibility as "the lens" through which the internal mind observes the external sensible world. I'll agree then, that we do not synthesize with sensation, but sensibility contributes to the representation. I won't call this contribution a synthesis, but we must accept the reality of this contribution. Furthermore, our apprehension and understanding of the reality of sensible objects will always be tainted until we determine the features of this lens, and account for those features in our representations.
As an aside, the Transcendental Analytic is far FAR more controversial, ambiguous and obfuscated than the easy stuff occupying us here in this first, merely groundwork part of Elements, the Transcendental Aesthetic. — Mww
Of course this would be the case, the fundamental principles are laid out in the ground work. So if there is even a small or seemingly insignificant degree of inconsistency or ambiguity (an indication of uncertainty in the author) there in the ground work, it will be multiplied in what follows. This is why Aristotle serves as a good example. The groundwork, his physics and biology, each is consistent and unambiguous. The ambiguity and inconsistency enters in the more difficult subjects of ethics and metaphysics. But due to the clarity in the ground work these inconsistencies are easier to identify and isolate.
It being abundantly manifest that the external and internal are very distinct, it follows the operational parameters governing the expositions of them must also be. Interchange the terminology if you like, in that a capacity can be a faculty and vice versa, (Kant does this himself regarding sensibility, four times throughout the text) but what have you gained? — Mww
The external and internal are not "very distinct". This is a necessary principle I've brought to your attention already, but you do not appear to have apprehended it. And this points right to the topic of this thread. When you read this passage, the 'same' word exists within your mind (internal) as in the written medium (external). We might maintain the internal/external separation by saying one is a representation of the other, but which is which? Proponents of the scientism perspective will say that the mind makes a representation of the spoken word, but Platonists would say that the word is a representation of the idea. If we do not get this relationship right, we have a misunderstanding.
Suppose we start with a mind/body separation, as did the pre-Socratics; mind being internal, body being external. Now, we propose sensibility, or sensation as the medium between the two. But sensations come in different sorts. We feel pains, pleasures, emotions like desires and satiation, as well as tactile sensing, right in the body. We also sense external objects through senses like hearing and seeing. Now the human body is no longer the external, as external to the mind, but it is the medium of sensation which separates the external objects, and the internal mind.
So it appears like we cannot make sensibility a property of the internal mind, nor is it a property of the external object (the body). It must share both. However, if, when we talk about "sensibility" we may refer to it as a property of the immaterial mind, or we may refer to it as a property of the body, something external to the mind, then each of these two times the thing referred to as "sensibility" has a different relation to the mind. Then the respective role which sensibility plays in mental activity is completely different in each of these cases, because in one case it is external to the mind, and in the other case it is internal, as part of the mind.
Furthermore, we have the standard objection of naive monists against dualism, that the internal, as distinct from the external, cannot have interactions. What these monists fail to recognize is that Plato resolved this problem long ago, by positing passion, or spirit, as the medium between mind and body. However, this medium itself has a dual characterization. It may cooperate with the material body to act on the immaterial intellect, or it may cooperate with the immaterial intellect to act on the material body. Notice that in the one case the immaterial intellect is a passive recipient of activity, while in the other case it is the source of activity. This provides the basis for the Aristotelian division of passive and active intellect. Not only must the intellect be passive in receiving sense impressions, and whatever "feelings" it gets from the material body, it must also be active in causing bodily activities, thus actively causing change to the material world.
This is why moral philosophy becomes very relevant to epistemology. Reconsider "the lens" of observation now. The lens is the human body, which the immaterial intellect looks through, by means of sensibility. However, we now conceive of the immaterial intellect as also acting in the sensible world, through the means of the human body. From this perspective the body is a tool. So the same thing, which is the medium between the mind and the external world, is both, what affects our representations, as lens, and how we affect the world, as tool. Was that tool created for the purpose of scientific observation? Evolution theory would tell us no, it evolved according to survival, so it was created for the purpose of survival. But even this principle is doubtful, because we see such a vast array of life forms of all different shapes, sizes, colours, etc., this suggests that it is not simply survival which accounts for the bodily form.
In any case, "the lens" of sensibility can now be considered to be a tool, and as a tool, it is shaped and adapted for the purpose it is put to. And observation itself is subjective, depending on the purpose of the observation. This is why Plato, through the character of Socrates moved from the aesthetic principle of beauty in the "Symposium", to a more pragmatic principle, "the good", in the "Republic". Socrates' teacher in the Symposium, Diotima, supposedly taught him how to recognize beauty in human art and institutions. These things could only be beautiful because they partook in the Idea of Beauty, so Socrates was encouraged to find true beauty in the Idea of Beauty.
To me, it is indicated from the progression of Plato's dialogues that Socrates was not satisfied by this type of Idea, he literally could not find the Idea of Beauty, or any of the other Ideas he sought in the Plato's early dialogues. Then we might say he "saw the light", so that in the Republic, "the good" is said to make intelligible objects (Ideas), intelligible, just like the sun makes visible objects visible. This makes ideas and concepts, as they appear to human minds, relative. The way that they are understood by a human mind, is relative to the good which they are put toward. But this revelation completely changes one's perspective of on ideas and concepts. These things are created by the mind to be used as tools, for whatever purpose the mind gets up to, they are not at all representations of sensible objects. Further, it becomes apparent that all the artificial things in the world, and even the natural things (put there by the Creator), are simply representations of the Ideas. So the people in the cave see sensible objects as the real things when they are really just reflections of the Ideas.
Sensibility is the capacity for receiving impressions, it does not have a product of its own. Nothing will make any sense if it is not shown that we actually do perceive things, and how they relate, what their place is. Sets the stage, if you will. Sensibility the conception, merely denotes that we are able to perceive things as external to us, while the affect on us still belongs to the object. Sensation is the affect of an object of perception on “our faculty of representation”, of which sensibility is not a part.
Hopefully, this horse is now dead enough. — Mww
Well the horse is not dead at all, because this is what I absolutely dispute, and I'm trying to explain to you why I dispute it. Let me state it bluntly, there is no "faculty of representation". The immaterial aspect, what you call the internal, is active, doing things, creating ideas, etc.. These things which the internal mind is creating, ideas and such, are created for a purpose, implying that their existence is based in a final cause. As such, it is only when representation is desired, as the final cause, that the mind is creating representations. If "sensation" was created with the purpose of giving the mind representations, then we could say what you say. However, sensation was produced from the forces of evolution, so this feature was selected for on the basis of survival, or something like that, not on the capacity for providing a representation.
Intuition does not produce representation, intuition is a representation of a certain kind, produced by the human system. It follows then, that pure intuitions also do not produce representations, they are the conditions which must be met in order for there to be empirical representations. Appearance is just a name for a kind, along with the name conception, idea, and of course, intuition, the kind dependent on the cause and effect of each.
Space and time are called intuitions because they are representations of a kind that indicates a subjective state, just as they all do. Space and time are called pure intuitions because there is nothing in experience that belongs to them. Empirical intuitions, on the other hand, represents empirical predicates, because only empirical objects are perceived by us and become experiences. — Mww
The problem here is what I pointed to in my last post. Kant very clearly states that all intuitions are derived through sensibility. This includes pure intuitions. Therefore we cannot say that pure intuitions are devoid of experience. What Kant says is that they are devoid of sense experience. As I explained, the only logical way to interpret this is that the pure intuitions are prior to sensibility, taken by sensibility and given to the mind unaltered by sensation.
“....In the transcendental aesthetic we will therefore first isolate sensibility by separating off everything that the understanding thinks through its concepts, so that nothing but empirical intuition remains. Second, we will then detach from the latter everything that belongs to sensation,
so that nothing remains except pure intuition and the mere form of appearances, which is the only thing that sensibility can make available a priori...” — Mww
See, this is very consistent with what I said in the last passage. First we exclude what is proper to the mind, concepts etc.. Then we take empirical intuition and remove everything derived from sensation. So we are left with everything which is prior to sensation. Effectively, this is "the lens". The only problem is that Kant goes and posits space and time as the pure intuitions, the lens, and that is completely unwarranted. If we look from the Aristotelian perspective, the pure intuition would probably be matter. And Aristotelian matter, being what accounts for temporal continuity, inertia for example, and also having the character of potential, is a temporal concept. Form is spatial. But notice also, that when Kant talks about space and time, time is described as an internal intuition, and space is an external intuition. What could he mean by external intuition? "Space" might not be an a priori intuition at all, it might be a synthesized concept.
I wouldn’t, and I haven’t. I said there are situations where the notion of temporal sense is unwarranted, and that the a priori is just as much a logical relation from deductive inference as it is a relation in time. Furthermore, we need to keep in mind what we actually talking about here, and that is a theory of knowledge, in which the hypotheticals make clear we don’t give a hoot about the when of something, but only the use of it. Saying the premises of a syllogism are necessarily prior in time to the conclusion of it, it a trivial truth, and serves no purpose whatsoever. — Mww
Right, we're talking about a theory of knowledge which distinguishes a priori from a posteriori, and you're telling me "we don't give a hoot about the when of something". Tell me another one, President Trump.
Not what I said, and certainly not what I meant. The mind doesn’t receive intuitions, it creates them because objects are given to us, hence always a priori but with empirical cause. Pure intuitions created as the form of empirical intuitions. — Mww
I already quoted the passage where Kant clearly states: "Objects are given to us by means of sensibility, and it alone yields us intuitions...". This is where the ambiguity leads to inconsistency. So you are handing sensibility over to the mind, as if it is a property of the mind. But sense organs are clearly material aspects of the material body, and not part of the internal, immaterial mind. We sense through the means of material organs, and the distinction between the various sense capacities (sensibilities) is due to the difference in the material features.
To say anything is a property of humans does nothing to say it is thereby an impossible property of anything else. For humans, space and time are the necessary conditions of the possibility of objects, and thereby the possibility of experience. Keyword.....for humans. At best, we may allow other rational beings like us to be imbued with similar cognitive apparatus, but rational beings does not necessarily include “sensing animals” in general, but only certain kinds. — Mww
You can say that, but it doesn't really have any bearing. The pure intuitions are necessary conditions for human sensation, this means that they are prior to human sensation. If you want to say that other animals sense in a completely different way from the way that human beings sense, a way which doesn't require the pure intuitions, we could accept that as a possibility. However, evolutionary theory shows consistency between the various animals, and it really would not make sense to entertain the idea that human eyes are radically different from the eyes of other animals, to account for such a difference between human sensation and the sensation of other animals.
“.....But, though all our knowledge begins with experience, it by no means follows that all arises out of experience. For, on the contrary, it is quite possible that our empirical knowledge is a compound of that which we receive through impressions, and that which the faculty of cognition supplies from itself (sensuous impressions giving merely the occasion), an addition which we cannot distinguish from the original element... — Mww
This is not what Kant is giving us though. He says all intuitions are derived from sensibility. And, it makes much more sense this way. How could the mind produce ideas, or any sort of thought, which is free from sense impressions. Remember earlier, I said something about meditation. If you've tried meditation, the idea might be to separate your mind from sense influence. But that's impossible, it can't be done. The closest we come perhaps is in sleep, dreaming, but this is more like the mind utilizing memories. So I think back to childhood and see if I can remember a time when I was thinking prior to sensing, but I don't think such a time existed. Therefore it appears impossible to me, that the faculty of cognition, the thinking mind itself, could add anything to one's knowledge, which is not influenced by sensation.
So there!!! PPPFFFTTTT!!! Defined, just as you demanded. Notice, if you will, the glaringly obvious lack of temporal and non-sense. This being independent of that removes time from their relation. — Mww
It looks to me like you failed.
"For, in speaking of knowledge which has its sources in experience, we are wont to say, that this or that may be known a priori, because we do not derive this knowledge immediately from experience, but from a general rule, which, however, we have itself borrowed from experience...."
Notice, the temporal procession described here.
And doing a good job of it, too, I must say. — Mww
Thanks, I'm glad you appreciate the effort.
Kant's thesis that space and time are pure forms of intuition leads him to the paradoxical conclusion that although space and time are empirically real, they are transcendentally ideal, and so are the objects given in them. — Mww
We need to consider the meaning of "ideal". Space and time may be ideal for the purpose of representing material objects, but "ideal" is relative to the purpose. The purpose is defined by what is sought, the good. So Plato was moved to posit "the good", as the object itself. Therefore, depending on the nature of the object, (the good), space and time might not be ideal. So Kant hasn't really determined what sensibility contributes, he proposes space and time as the ideals for representation, but sensibility is probably not designed for the purpose of representation.