Yet you keep falling into the same trap of asserting you know how the body/brain works while at the same time asserting that we cannot trust our senses. — Harry Hindu
How do I know that you read what you read about the body/brain accurately when you depend on your eyes to see the words? How do we know that some mad scientist didn't plant these ideas in your head, or that you didn't hallucinate the experience of reading "facts" about bodies and brains? — Harry Hindu
Suffice to accept this part of it, at least LOL.So I 100% take that objection, — AmadeusD
Just because someone can change the time on the clock to report the wrong time does not mean that clocks are useless in telling time — Harry Hindu
In other words, we can determine the validity of what one sense is informing us by using other senses, observing over time and using reason. — Harry Hindu
Huh. I think that's a very strange thing to say. Unpleasantness is exactly what "pain" indicates to me. It refers to a wide range of unpleasant feelings, just like the dictionary states. What does "pain" mean to you? Does it simply mean the sensation of touch? Are all touches painful to you, or do you have a way to distinguish a painful feeling from a not painful feeling? — Metaphysician Undercover
I'm sure you will be able to explain your account without sending us off to such a text. — Banno
But of course pain and colour are quite different. — Banno
Tomatoes, strawberries and radishes really have the distinctive property that they do appear to have. They are red. — Banno
So you have claimed. I rather think you are equivocating on the notion of "really", wanting to say that red tomatoes are not really red - the implication being that there is one true way of using words such as red, and all those folk who think that their tomatoes are red are mistaken.You're equivocating. — Michael
Clearly, as between you and I, there is not a 1:1 match between pain and "unpleasantness". — AmadeusD
Pain (i.e a sensation that indicates injury - physical, or mental (but mental is awhole different discussion I think)) doesn't, inherently, mean displeasure. Maybe that's clearer? — AmadeusD
Perhaps you need to maintain my position (that pain is mental) to support the idea that pain is inherently unpleasant, as clearly, to the injury part (i.e the "physical" aspect of pain) this is patently not hte case. — AmadeusD
If solipsism is the only logical conclusion of recognizing some amount of difference between the object and the perception and naive realism is the only practical solution to avoid that slippery slope, then I choose solipsism because at least it is logical. — Hanover
That is, the system you use to prove that things are as they appear proves that things aren't as they appear. — Hanover
What we learn is that there is no fully satisfactory answer, which is obvious, as if there were, this would be a physics class and not a philosophy class where there are no answers. — Hanover
The alternative, which is to just say WYSIWYG suffers from another host of problems. — Hanover
But isn’t this approach failing to take into account that the witnessing selves are part of the semiotic construction of a witnessed reality?. . . — apokrisis
The argument that he gave seems to me to be invalid, — Leontiskos
The point of this is that it is empirically proven that an internal, subjective experience can be evoked by direct brain stimulation. This means that you cannot conclude anything about the constitution of the stimulus from the experience. The smell you smell is the product of stimuli upon the brain, so the perception is entirely the creation of the brain. — Hanover
You're asking me which percepts the word "red" refers to. I can only answer such a question by using a word that refers to these percepts, and given that there is no appropriate synonym for "red", all I can do is reuse the word "red".
...
There's nothing "viciously circular" about this. — Michael
every red is a percept — Michael
The red percepts... — Michael
Notice no mental percepts needed
— Richard B
Of course they are, else you wouldn't be seeing anything; you'd just have light reaching your eyes and then nothing happening, e.g. blindness or blindsight. — Michael
For sure, there are many types of unpleasantness, and not every one is pain. "Unpleasant" is the wider concept. So not all unpleasantness is pain, but all pain involves unpleasantness. — Metaphysician Undercover
because one cannot have pain without unpleasantness — Metaphysician Undercover
unpleasantness does not imply pain — Metaphysician Undercover
"Inheres" means existing within something, as an essential property. — Metaphysician Undercover
so pain does not inhere within the definition of unpleasantness. — Metaphysician Undercover
Have you not researched those two aspects yet? — Metaphysician Undercover
If every red is a percept then it makes no sense to speak substantially about red percepts. The equivocation becomes more clear if you compare, "The red pen," to, "The red percept." If we follow your lead and reduce each statement consistently, then the first renders, — Leontiskos
We don't teach children what colors are by sharing are experiences of mental percepts of color — Richard B
I just like pointing out how the semiotic approach goes further in emphasising that our model of the world is also the model of "ourselves in the world". — apokrisis
I would assume that you know your mind to be real. Then which is the case - direct realism, indirect realism, both, or neither? If you can talk about the contents of your mind like you can talk about the contents of your pants pocket, then what is the difference if you're telling me the truth in both cases?It seems to me that the distinction between direct and indirect realism is useless. Would you say that you have direct or indirect access to your mental phenomenon?
— Harry Hindu
Direct - there is nothing between my mind and itself. That's the nature of the distinction. I have direct access to my experiences. Not their causes.
It might not 'mean much' out there in the world, but in terms of the discussion we're having its the central, crucial thing to be understood. So, I reject your opener on those grounds. But i acknowledge that for a certain kind of philosopher, this is going to look like a couple of guys around a pub table arguing over the blue/white black/gold dress. I disagree is all :) — AmadeusD
You couldn't at least link it in your reply considering that we are 38 pages into this discussion?Not quite, no. I've addressed this apparent hypocrisy recently and wont rehash because I'll make a pigs ear of it. — AmadeusD
If you were able to accomplish your task using your senses then was it really a best guess or an accurate perception?Yes, correct. This, despite not having any direct access, or certitude about our sensory apprehensions. Its a best-guess, and if that's the best we have, it's the best we have. — AmadeusD
What would be the point in showing you pain? The pain is for me, not for you. I am the one injured, not you. The pain is about the state of my body, not yours. If I hit my thumb with a hammer, I could bash your same thumb with the same hammer and you'd have a good idea of what I was feeling, but that would not be the point of me informing you that I am in pain. The point would be to seek assistance. This is what I mean that philosophical language use tends to muddy the waters here.Where is the pain? If it is in the limb, you can show me.
But you cannot show me pain.
You can show me potential stimulus for pain.
That's all. I need not take this much further to be quite comfortable that your position is not right (yet..) — AmadeusD
That the pen is red just is that it (ordinarily) appears red, and the word “red” in the phrase “appears red” does not refer to a mind-independent property of the pen but to the mental percept that looking at the pen (ordinarily) causes to occur. — Michael
The convention "literally" has had to undergo a redefinition because of it's constant misuse. — AmadeusD
We use language differently. Great! "red" conceptually is a percept (lets pretend) and "the red pen" or "the red percept" is a label which is conventionally used to cut-down the actual phrase "Items we use to write with, containing ink flowing to a nib, which reflects light in "such and such a range" so as to trigger, under normal circumstances, that percept referred to as "the colour red" as a property of the brain-generated image of the object viewed by the sensory organ". But we don't say that. We say "red pen". — AmadeusD
When we speak about the pen we are speaking about the pen, not about percepts. Pens and percepts are two different things. Maybe you (erroneously) think everyone should replace all of their color predications about pens with predications about percepts, but this in no way shows that when people talk about red pens they are doing nothing more than talking about percepts. — Leontiskos
On a third view, Color Projectivism, the qualities presented in visual experiences are subjective qualities, which are “projected” on to material objects: the experiences represent material objects as having the subjective qualities. Those qualities are taken by the perceiver to be qualities instantiated on the surfaces of material objects—the perceiver does not ordinarily think of them as subjective qualities.
I have seen you do little more in this thread than make arguments from authority. — Leontiskos
People universally believe that objects look colored because they are colored, just as we experience them. The sky looks blue because it is blue, grass looks green because it is green, and blood looks red because it is red. As surprising as it may seem, these beliefs are fundamentally mistaken. Neither objects nor lights are actually “colored” in anything like the way we experience them. Rather, color is a psychological property of our visual experiences when we look at objects and lights, not a physical property of those objects or lights. The colors we see are based on physical properties of objects and lights that cause us to see them as colored, to be sure, but these physical properties are different in important ways from the colors we perceive.
One of the major problems with color has to do with fitting what we seem to know about colors into what science (not only physics but the science of color vision) tells us about physical bodies and their qualities. It is this problem that historically has led the major physicists who have thought about color, to hold the view that physical objects do not actually have the colors we ordinarily and naturally take objects to possess. Oceans and skies are not blue in the way that we naively think, nor are apples red (nor green). Colors of that kind, it is believed, have no place in the physical account of the world that has developed from the sixteenth century to this century.
Not only does the scientific mainstream tradition conflict with the common-sense understanding of color in this way, but as well, the scientific tradition contains a very counter-intuitive conception of color. There is, to illustrate, the celebrated remark by David Hume:
"Sounds, colors, heat and cold, according to modern philosophy are not qualities in objects, but perceptions in the mind." (Hume 1738: Bk III, part I, Sect. 1 [1911: 177]; Bk I, IV, IV [1911: 216])
Physicists who have subscribed to this doctrine include the luminaries: Galileo, Boyle, Descartes, Newton, Thomas Young, Maxwell and Hermann von Helmholtz. Maxwell, for example, wrote:
"It seems almost a truism to say that color is a sensation; and yet Young, by honestly recognizing this elementary truth, established the first consistent theory of color." (Maxwell 1871: 13 [1970: 75])
This combination of eliminativism—the view that physical objects do not have colors, at least in a crucial sense—and subjectivism—the view that color is a subjective quality—is not merely of historical interest. It is held by many contemporary experts and authorities on color, e.g., Zeki 1983, Land 1983, and Kuehni 1997.
There is no color in light. Color is in the perceiver, not the physical stimulus. This distinction is critical for understanding neural representations, which must transition from a representation of a physical retinal image to a mental construct for what we see. Here, we dissociated the physical stimulus from the color seen by using an approach that causes changes in color without altering the light stimulus. We found a transition from a neural representation for retinal light stimulation, in early stages of the visual pathway (V1 and V2), to a representation corresponding to the color experienced at higher levels (V4 and VO1).
The homogeneal Light and Rays which appear red, or rather make Objects appear so, I call Rubrifick or Red-making; those which make Objects appear yellow, green, blue, and violet, I call Yellow-making, Green-making, Blue-making, Violet-making, and so of the rest. And if at any time I speak of Light and Rays as coloured or endued with Colours, I would be understood to speak not philosophically and properly, but grossly, and accordingly to such Conceptions as vulgar People in seeing all these Experiments would be apt to frame. For the Rays to speak properly are not coloured. In them there is nothing else than a certain Power and Disposition to stir up a Sensation of this or that Colour.
It's you who are claiming that the tomato is red but not really red; these are your words, your word game. All I'm doing is pointing out how silly that is. You pretend not to be involved in a discussion about language but your view hinges on your use of a single word.The discussion is about perception, not speech. — Michael
Yep. They really have the distinctive property that they appear to. They are red. — Banno
You pretend not to be involved in a discussion about language but your view hinges on your use of a single word. — Banno
It's you who are claiming that the tomato is red but not really red; these are your words — Banno
Get involved in philosophical discussions about knowledge, truth, language, consciousness, science, politics, religion, logic and mathematics, art, history, and lots more. No ads, no clutter, and very little agreement — just fascinating conversations.