I'm not sure this is the best translation or interpretation? Any thoughts? — Amity
Soc: Do you know how best to please a god with speeches, either by performing them or discussing them?
Phae: Not at all. Do you?
Soc: 274C Anyway I can tell what I have heard from those who have gone before us, but they are the ones who know the truth. Yet if we were to discover it ourselves, would any of the preoccupations of humanity still concern us?
Phae: It is ridiculous to ask that question but do tell me what you say you have heard.
Soc: Well, I heard that at Naucratis in Egypt there was a certain ancient god of that place, whose sacred bird is the one they call the Ibis, while the name of the divine being himself was Theuth. He was first to discover number and calculation, geometry 274D and astronomy, and also draughts and dice, and of course writing. — Plato's Phaedrus - David Horan's translation
Really? My question is specific to the writing of Plato in Phaedrus. The word/s and questions he places in the mouth of Socrates. I know the word 'god' can be ambiguous and have different interpretations, according to beliefs. What 'god' is being spoken of here? The Writing God/dess?
an hour ago — Amity
Socrates had a goddess that spoke to him — isomorph
Fooloso4 could answer the for you specifically, but my reply would still apply. — isomorph
I don't have a Greek copy of Phaedrus so I will leave that to Fooloso4. — isomorph
I'm puzzling over the word 'god'. — Amity
... without seeing or properly understanding god, we do imagine some living creature possessing a soul and possessing a body which are conjoined for all time. Well, let these matters be arranged and described in whatever manner is pleasing to god ... (246c-d, Horan translation)
I'm puzzling over the word 'god'.
— Amity
As well you should be! We should keep in mind that Socrates was sentenced to death for impiety. Much of what Plato has Socrates say in the dialogues reflects what was common opinion. We are not likely to find much that overtly goes against those beliefs. — Fooloso4
Monotheistic assumptions seem to inform some translations as well as some readers' interpretation — Fooloso4
The singular 'god' appears in a few places in the Phaedrus. One notable place:
... without seeing or properly understanding god, we do imagine some living creature possessing a soul and possessing a body which are conjoined for all time. Well, let these matters be arranged and described in whatever manner is pleasing to god ... (246c-d, Horan translation) — Fooloso4
Soc: 274C Anyway I can tell what I have heard from those who have gone before us, but they are the ones who know the truth. Yet if we were to discover it ourselves, would any of the preoccupations of humanity still concern us?
Phae: It is ridiculous to ask that question but do tell me what you say you have heard.
"Properly understanding" God means to be able to say what god is. Apparently, this is, according to this passage, something we are unable to do.
Added: As with other 'what is' questions he is looking for what all that is called 'god' has in common and distinguishes it from all else. — Fooloso4
In ancient Greek religion and mythology, the Muses (Ancient Greek: Μοῦσαι, romanized: Moûsai, Greek: Μούσες, romanized: Múses) are the inspirational goddesses of literature, science, and the arts.
They were considered the source of the knowledge embodied in the poetry, lyric songs, and myths that were related orally for centuries in ancient Greek culture. — Muses - wiki
Poems exploring the intersection of Music and God
1. The Music of the Spheres" by Ralph Waldo Emerson
This enchanting poem by Ralph Waldo Emerson captures the ethereal beauty of music and its connection to the divine. Through vivid imagery, Emerson describes how celestial beings create harmonious melodies that resonate throughout the universe. The poem expresses the belief that music is not only a product of human creativity but rather a divine language that connects us to God:
But far within the music rolled,
Like its own hollow sphere,
And a hover in the silver light
Some fowler's boat was near.
4. "Music" by Anne Brontë
In this introspective poem, Anne Brontë contemplates the transformative power of music and its connection to spirituality. She describes how melodies have the ability to transport the listener to a higher plane of existence, where they become one with the divine. Brontë's words resonate with the inherent spirituality found within music:
It whispers of a spirit free
That soars beyond the sky,
And tells of worlds that yet may be,
When we have ceased to die. — Poem Verse - a harmonious fusion of divine melodies
So, when Socrates is talking with Phaedrus, he is appealing to 'god' from a shared perspective? Or is he pandering to him? — Amity
When I imagine any god, it is not in corporeal form but spirit. — Amity
Why is it important to please them and not ourselves? — Amity
So, is it the gods we should depend on for truth — Amity
Socratic philosophy begins with an examination of opinions. — Fooloso4
When you say they are 'spirit' I don't know what that means. Are you introducing ideas of your own? Perhaps the problem is that corporal beings do not know what it is to be an incorporeal being. — Fooloso4
Indeed. And so, he pleased himself by being just.Socrates puts being just above pleasing the gods or ourselves. — Fooloso4
We cannot depend on the gods for the truth. Nor can we depend on the claim that the gods are good in every way. — Fooloso4
Which likenesses are we to accept as the truth? Or, are we to accept that every likeness is merely a likeness and as such is to a greater or lesser degree unlike the thing it is said to be a likeness of? — Fooloso4
The idea of 'spirit' is out there already, you know that! — Amity
And yes, we don't know what it is to be incorporeal but we have imagination and creativity. — Amity
I don't know about accepting 'truth' from a likeness. — Amity
If we accept your suggestion about 'accepting' then where does that leave us...? — Amity
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