• Coronavirus
    The evidence for masks is lacking, but not so for the vaccines.Hanover

    I agree. I'm not really interested in the effectiveness of wearing masks. I wear them when I'm told and don't when I'm not like all good subjects of our corporate overlords. My typical response to someone who objects to wearing masks when it is recommended by public health authorities is very logical - Just shut up and put on the mask, asshole.

    @Roger Gregoire went a step further in his argument then typical mask deniers. He claims that, if vaccinated people don't wear masks, it will actually remove a significant portion of the virus from the air, thus helping protect the unprotected. That was the argument I was responding to.
  • Coronavirus
    Be rational. Don't adhere to the irrational game of "let the rare exceptions dictate the general rule". This only results in more harm than good.Roger Gregoire

    That this kind of bullshit is one of the reasons why serious debate is next to impossible. Laymen weighing in with a superficial understanding of the science and no references or citations to back up their outlandish claims.Isaac

    Not once in your emotional rant did you refute my logic. -- can you? -- can you find a logical flaw in my words (other than just saying they are wrong)?Roger Gregoire

    I'm with Isaac on this one. It strikes me as extremely unlikely that a significant proportion of the viral load in the atmosphere would be removed by the lungs of people not wearing masks. I looked, but couldn't find evidence either way on the web. My conclusion - the scenario described in Roger Gregoire's post is unsupported unless he can provide evidence. This isn't a matter of "logic." It's a matter of fact. As far as I can see, RG has his facts wrong.
  • Referring to the unknown.
    Oh, Ok. Then I'll address my remarks to Joshs; "convey" implies that something moved from here to there, so one might be tempted to ask what it is that was moved, and set that out in words. But nothing - no thing - was moved.Banno

    Convey (from web) - Make (an idea, impression, or feeling) known or understandable to someone.

    Second definition.
  • Referring to the unknown.
    Display might be a better choice.Banno

    I was using Joshs' language. I think "convey" and "display" are both fine.
  • Referring to the unknown.
    I'll agree with this, but add that it is by way of a definition of meaning. Music and visual arts can can of course still be profound. There is a strong sense in which setting out the meaning of a piece is detracting from it.Banno

    Yes, I guess it comes down to what we think "means" means. In everyday language, "meaning" is often used to mean significance. That's not what we're talking about. So, yes, the best music and art is profound, even if it doesn't mean anything.
  • Referring to the unknown.
    But don’t the components of a painting tell a story?Joshs

    I've used this long quote about four times in the past month. Now I have to do it again. This is a quote from "October Light," by John Gardner. A French horn player describing what he hears when he listens to a composition. I've hidden the text to keep the post short.

    Reveal
    Then it had come to him as a startling revelation-though he couldn't explain even to his horn teacher Andre Speyer why it was that he found the discovery startling-that the music meant nothing at all but what it was: panting, puffing, comically hurrying French horns. That had been, ever since- until tonight- what he saw when he closed his eyes and listened: horns, sometimes horn players, but mainly horn sounds, the very nature of horn sounds, puffing, hurrying, . getting in each other's way yet in wonderful agreement finally, as if by accident. Sometimes, listening, he would smile, and his father would say quizzically, "What's with you?" It was the same when he listened to the other movements: What he saw was French horns,. that is, the music. The moods changed, things happened, but only to French horns, French horn sounds.

    There was a four -note theme in the second movement that sounded like ..Oh When the Saints," a theme that shifted from key to key, sung with great confidence by a solo horn, answered by a kind of scornful gibberish from the second, third, and fourth, as if the first horn's opinion was ridiculous and they knew what they knew. Or the slow movement: As if they'd finally stopped and thought it out, the horns played together, a three-note broken chord several times repeated, and then the first horn taking off as if at the suggestion of the broken chord and flying like a gull-except not like a gull, nothing like that, flying like only a solo French horn. Now the flying solo became the others' suggestion and the chord began to undulate, and all four horns together were saying something, almost words, first a mournful sound like Maybe and then later a desperate oh yes I think so, except to give it words was to change it utterly: it was exactly what it was, as clear as day-or a moonlit lake where strange creatures lurk- and nothing could describe it but itself. It wasn't sad,. the slow movement; only troubled, hesitant, exactly as he often felt himself. Then came- and he would sometimes laugh aloud- the final, fast movement.

    Though the slow movement's question had never quite been answered, all the threat was still there, the fast movement started with absurd self-confidence, with some huffings and puffings, and then the first horn set off wit h delightful bravado, like a fat man on skates who hadn't skated in years (but not like a fat man on skates, like nothing but itself), Woo-woo-woo-woops! and the spectator horns laughed tiggledy-tiggledy­ tiggledy!, or that was vaguely the idea- every slightly wrong chord, every swoop, every hand-stop changed everything completely ... It was impossible to say what , precisely, he meant.


    Emphasis mine. Art is the same as music. It means nothing at all but what it is.

    I could describe in words da Vinci’s last supper, or show the painting. Could the words used to describe the scene ever convey more than the visual image?Joshs

    No. The painting will always convey more. More importantly, what the painting conveys is different from what any interpretation provides.
  • Referring to the unknown.
    Sorry. There just wasn’t a trigger in your comments sufficient to inspire me to engage with them. I did explain myself, which I considered to be enough, so.....Mww

    I don't mind that you didn't want to respond. I was using your response as an example of the pitfalls of depending on language unselfconsciously.
  • Referring to the unknown.
    Is the sharing of a perceptual image or a sound recording also the telling of a story?Joshs

    I think language is fundamentally different from other modes of expression. I got in a discussion with my physical therapist the other day. He plays jazz saxophone. I asked him if music means anything. He hadn't thought about that before. My position is that music, and visual arts, don't mean anything. Meaning comes with words.
  • Referring to the unknown.
    What we do by naming, using words, is telling stories.
    — T Clark

    Perhaps, but far and away too close to empirical anthropology, and very far from epistemological metaphysics. I have very little interest in the former, and great interest in the latter. I want to know how the method by which naming occurs, not so much the post hoc employment of it. The former makes necessary I understand myself, which I control, but the latter only makes possible another understands me, which I cannot.
    Mww

    I was thinking about this some more. It struck me that your response to my post is a good example of what I was trying to describe. Because of one word I used, "stories," you dismissed the rest of my thoughts as "empirical anthropology," rather than engaging with them. I wonder if I had just written "One of the things stories words do is apply human values to the world" you would have been willing to pay attention to what I wrote.
  • Are we alone? The Fermi Paradox...
    To save you some time, Isaac thinks intelligent life is extremely rare and that we are the only ones at least in our group of galaxies.Maximum7

    Based on very circumstantial evidence (and my own unjustified intuition), I'm betting on life being common and intelligence not being extremely rare. Here's some "evidence."

    • Life started on Earth just about as soon as the environment cooled down enough for complex molecules to form.
    • As we start to understand how life began, it seems the processes involved may be explainable without the need for vastly improbable or exotic phenomena.
    • It appears that complex nervous systems have evolved independently at least twice in the history of life in organisms very far apart on the evolutionary scale - vertebrates, including humans, and invertebrates, including mollusks.

    So, does that prove anything. No, but it does allow me to say what I want with at least a veneer of justification. I bet we find life on Mars or one of the planetary moons. Maybe I just hope we do. If we do, that will change everything.
  • Are we alone? The Fermi Paradox...
    The second option, also worth seriously considering, is Ernst Mayer's view. He points out that in the only planet we know of that contains life in this universe, intelligence seems to be a lethal mutation. Look around, most of the species that survive and thrive are single cell organisms.Manuel

    if of course we develop at such a pace and do not bomb ourselves back into the Stone Age, for which there is no guarantee.Art Stoic Spirit

    Unfortunately, it doesn't seem unlikely to me that one of the reasons we haven't met alien civilizations is that whenever one reaches a certain level of technological advancement it destroys itself.
  • Are we alone? The Fermi Paradox...
    It is surely the mark of intelligence to rush about the Galaxy exploring, invading, and exploiting everyone everywhere, and generally interfering and demonstrating the superiority of ones' civilisation. If one just minds one's own business, one might be mistaken for a dumb dolphin or something.unenlightened

    I'm not sure what a highly advanced alien civilization might do, but I agree that assuming they would behave like us is not justified.
  • My favorite verses in the Tao Te Ching
    Yea but the sage acts by doing nothing.frank

    Good point! Then again, no one ever accused me of being a sage.
  • The Reason America’s Falling
    PRIDE and UNITY. Extreme capitalism (with no reigns) has made Americans numb to a sense of community! It’s “I got mine fuck you”! Hitler was wrong, but you gotta admit he made his people UNITED and PROUD! We just gotta use that magic in the right way.Trey

    An oversimplification by an order of magnitude or so, but I agree that corporate capitalism is the, or at least one of the, primary villains.

    A little advice - "Hitler was wrong, but...," is never the right start to a comment if you expect to be taken seriously.
  • My favorite verses in the Tao Te Ching


    Aw, geez Frank. Now I have to get off my ass and continue this discussion.
  • Referring to the unknown.
    And yes, naming changes things in a sense, absolutely.
    — Manuel

    How so?
    Mww

    What we do by naming, using words, is tell stories. We are telling stories about the world. One of the things stories do is apply human values to the world. Forgive me now while I vastly oversimplify. We talk about apples because apples are important as sources of food. We name snakes because they are dangerous. We separate green out of the spectrum of electromagnetic radiation because sometimes in the world things which reflect light in that range of wavelengths are important to us. We didn't name other wavelengths because they didn't influence our lives, or we didn't know they did. Now we talk about radio waves because somewhere along the line, they became important.

    Names, words, say "Pay attention here. This is important."
  • Referring to the unknown.
    There's no way to directly share X experience with another person.Manuel

    I'm stepping on thin ice, so forgive me if I retract this right away - There are ways of sharing experience other than using names and words. That's what art and music do. Physical and emotional intimacy. Now, stepping out even further on thinner ice - maybe that's what showing someone how to do something does, e.g. teaching someone how to ride a bike.
  • Referring to the unknown.
    Apples are separate from the rest of everything else after they are named. “Apple” represents the separation.Mww

    I'm ok with this.

    Not before. After. Objects are already things, therefore not by becoming things, but by becoming phenomena. Phenomena precede naming.Mww

    But this has me scratching my head. How can an apple be a thing if it has not been separated from the rest of everything else.

    Apple is merely a word that represents some real physical object with certain empirical properties; that object, that thing, before it is given to human perception, just is in the world, just whatever it is, just whatever that happens to be. And no more than that can be said about it.Mww

    How can a thing be a thing or an object before it is separated from everything else? The Tao does not contain or include apples. It's just the Tao, which is the name we use for that which can not be named.
  • Referring to the unknown.
    The representation always presupposes that which is represented; words always presuppose that to which they relate.Mww

    I was nodding my head in agreement till you got to this. That's not how I see it. There is a sense in which things do not exist until they are named. Yes, I know. That is not the standard way of looking at existence, but is sometimes a useful way to think about it.

    This is quite apparent from the fact we know a priori we cannot look directly at the thing called “sun”, which makes explicit there is something about that object not contained in the mere word that represents it.Mww

    I can't remember anything from when I was a baby, but I'm pretty sure I learned not to look at the sun from experience.
  • Referring to the unknown.
    In Yogic logic, one of the practices is to turn thought off completely. Such a mental state is surprisingly innately pleasant, for me at least. Walking along a beach, or through a forest, just absorbing it thoughtlessly and nonjudgmentally has this affect of connecting me with the surroundings that is lost once thought returns.Pop

    I don't know anything about "yogic logic," so I'm making some assumptions. I'm ok with what you've written, as long as we stipulate that "turning thought off completely" does not mean walking around in a haze. Many western philosophers have interpreted eastern meditative practice that way. In that kind of state, you are paying attention, fully awake and aware, and actively participating in the world.
  • Referring to the unknown.
    In short, naming something is a very brief and concise way of expressing something which is much richer in experience than a single word could convey. It's the difference between all the ways you could think about trees and how you interact with them as opposed to merely naming them.Manuel

    I'm mostly ok with this. Naming can be brief and concise because something is lost. Something is also changed. The thing-in-itself is different from the thing.

    I think one place where the thing-in-itself really differs from the Tao is that the Tao is everything all at once undifferentiated. Kant seems to think that apples are separate from the rest of everything before they become things. Before they are named. That doesn't make sense to me. Keeping in mind that my experience with Kant is limited, so I may be misrepresenting him.
  • Referring to the unknown.
    I say that a ‘feeling’ is a particular change being made in the way we relate to a situation, just as a word is.Joshs

    I disagree. That's not how I experience either feelings or words.

    What give a feeling the richness a word doesn’t have? Is it some intrinsic , immediate mystery?Joshs

    Probably the word "feeling" is not the right one. I generally use the word "experience." The experience includes everything; sights, smells, sounds, touch, heat, cold, along with interoception, i.e. our internal sense of our bodies. It's all of those things at once. It is possible to experience the world directly in this way without words or concepts. I can do it...sometimes. Mostly not, but enough to know that it's possible.

    Is it some intrinsic , immediate mystery?Joshs

    It's not a mystery. The experience comes first. The words are something added by processing and interpreting the experience. Maybe the words are the mystery. Cue eerie music.
  • Referring to the unknown.
    The distinction resides in the point-of-use of a speculative human cognitive system on the one hand, and the talking about the conditions under which that point-of-use system operates, on the other.Mww

    I don't understand. Can you give me an example.

    Intentional communication.Mww

    Again, an example would be helpful.
  • Referring to the unknown.
    I can also think ‘pre-verbally’, using the felt as a of a situation. But to me words are merely more richly articulated versions of a felt sense.Joshs

    I think it's the other way around. Words are chopped up and stacked representations of something much richer.

    The felt sense is a vague , impressionistic sketch of what the word crystalizes.Joshs

    The crystallization you refer to is achieved by throwing away much of the information included in the original experience.
  • Referring to the unknown.
    Is it anything like this?Joshs

    I read it a couple of times and still don't really understand what he's getting at. There is this:

    Thus intellectual meanings are in their very nature aspects of subjective feelings. Any moment's subjective feeling implicitly contains many possible meanings which could be differentiated and symbolized.Joshs

    Which I disagree with. It's like he's trying to define the problem away. What does it mean to say that a "feeling implicitly contains many possible meanings." I think he has it backwards.
  • Referring to the unknown.
    The answer to the second question then becomes....to know a thing it is necessary to conceive it, and to conceive a thing it is necessary to represent it, but the mere representation of a thing makes the naming of it only possible and not necessary.Mww

    I don't understand the distinction you are making between the representation and the naming. How is it represented if not in words?

    By the same token, taking into consideration the second question really meant to ask.....how can I know you know something that can’t be put into words (or some kind of expression)....then it is the case I cannot.Mww

    No. That's not what I "really meant to ask." I think my question is clear. Also, what did you have in mind when you wrote "some kind of expression."
  • Referring to the unknown.
    But feeling is already an expressing , and as such it IS a kind of talking.Joshs

    You're changing the meaning of the word "talking." Talking uses words.T Clark

    I left something important out. I know that what I call experience, wordless awareness, is different from knowing or understanding using language. It feels different in a profound way. It uses different parts of me. If you don't feel that same difference, then there's probably not much further we can go with this discussion.

    That doesn't mean you're wrong. It just means you experience the world differently than I do.
  • Referring to the unknown.
    Yes, but saying one knows them is also wrong. They just are the case; explanation stops here.Banno

    The word I use is "experience." I have many experiences that do not involve words. It's probably true that most of my experiences don't involve words. I think that's true of most people. Let me think about that.
  • Referring to the unknown.
    But feeling is already an expressing , and as such it IS a kind of talking.Joshs

    You're changing the meaning of the word "talking." Talking uses words. This from the web:

    Talk - speak in order to give information or express ideas or feelings; converse or communicate by spoken words.
  • Referring to the unknown.
    It is the arts and poetry in particular that can deal with this kind of knowing I would sayJanus

    I agree with this.
  • Referring to the unknown.
    Yes, but saying one knows them is also wrong.Banno

    I agree with this. It doesn't make sense to say I know or understand something if I can't put it into words.
  • Referring to the unknown.
    I think we know many things which cannot be put into words or at least definitively explained in words. Much of what we know is pre-cognitive, but I don't think that is the same as the different things the Daoists and Kant, in their different ways, were trying to get at.Janus

    Are there "pre-cognitive" things that can't be put into words that are different from what Lao Tzu and Kant are talking about? I don't think so, but I'm not sure of that at all. I'll think about it. And it's not that they can't be put into words, it's that when you do, they become something different. That difference between the Tao and the 10,000 things is at the heart of our experience of the world.

    From the relatively little I know (compared to the specialist) of Daoist ideas I have formed the impression that they are positing, by hinting at, a universal movement of life and energy that flows as an undercurrent to our common life as it is conceived, in all of us. This universal dance of life will be intuited directly by those who are able to work effectively on their dispositions such as to quiet the dualistic mind that blinds us to its mistaken views.Janus

    There are more than a hundred translations of the "Tao Te Ching" along with dozens of commentaries written 2,500 years ago and last week. Each one of these has a different understanding of that Lao Tzu was trying to say. I've been in several reading groups and no one could ever agree. [irony]It is only through long study and meditation that I have finally reached an understanding which is clearly and unequivocally what Lao Tzu always intended.[/irony] So, no. That's not how I see it.

    Kant, to my knowledge, denies the Spinozistic idea of rational intuition, which for Spinoza (and the Daoists) is the source of ideas of the eternal and the universal.Janus

    I don't know what "rational intuition" means, but it doesn't sound like anything I'd ever use to characterize the Tao as described in the Tao Te Ching. I don't know if Kant would have recognized Lao Tzu's ideas as similar to his. Probably not. I believe he was working about a century before eastern philosophical texts started to be available in Europe.

    I wouldn't go as far as to say that our naming of things brings our world of things into existence, and I don't think Kant would either.Janus

    I'm certain you're right about Kant. Lao Tzu writes (Mitchell Verse 40):

    All things are born of being.
    Being is born of non-being.


    Non-being generally refers to the Tao and being to the 10,000 things. I think this way of talking about reality makes sense, although I acknowledge it calls for a change in how we think about "being" and "existence."
  • Referring to the unknown.
    As a kid I often use to think that words were like falsifications of thoughts - inchoate blocks used to construct a shared notion of experience - a notion that necessarily reduced or entrapped that personal experience in a kind of verbal prefabrication. It often seemed to me that when my thoughts become words they were heavily truncated or even diverted by the process. It led me to think that in the process of becoming verbal there's a concomitant loss of experiential wisdom. Maybe that doesn't make sense to others - words again...Tom Storm

    I think you're talking about just the insight that Lao Tzu, and I think Kant, were describing. And they're not the only ones. Many philosophies have a place for the unmediated direct experience of unspeakable reality. Words are used to shape those experiences into bite-sized, easily digestible pieces that will stack evenly on the shelves.
  • Referring to the unknown.
    I draw an analogy between Kants noumena and the Dao too. I think Philosophers have many different ways of articulating the unknown, and it's implicitly the central problem in many.Aidan buk

    Then I'm a bit confused. You wrote:

    For example, knowing that it sounds silly, someone asks, so you know the thing in itself then? And I'd say, what are you referring to, in your mind, when you mention the thing in itself?
    Surely if you can think it, I can know it?
    Aidan buk

    Which is a restatement, in a sense, of the first verse of the Tao Te Ching. You seem to have a grasp of what it means to refer to the unreferable. The important thing is that it can't be put into words. There are ways of experiencing the world directly without words and ideas as intermediaries. It's something I experience all the time and I assume you have too.
  • Referring to the unknown.
    Kants thing in itself, direct notions of eternity, nothingness, etc, at first thought, seem to represent thing which are unknowable. They purport to represent things outside of human cognition.Aidan buk

    Yesterday, @Janus had a little back and forth in the "I've got an idea..." ("citizen philosophy")" discussion. I claimed that Kant's noumena are similar to Lao Tzu's Tao. I didn't make a very good case and we didn't take the discussion far, but I still believe my comparison makes sense. The primary document describing Lao Tzu's vision of the Tao is the "Tao Te Ching." It starts with the following:

    The tao that can be told
    is not the eternal Tao
    The name that can be named
    is not the eternal Name.

    The unnamable is the eternally real.
    Naming is the origin
    of all particular things.


    That's from Verse 1 of Stephen Mitchell's translation. Here are some definitions of the Tao from various sources, keeping in mind that the Tao that can be defined is not the eternal Tao.

      [1] The ground of being
      [2] The Tao that cannot be spoken
      [3] Oneness is the Tao which is invisible and formless.
      [4] Nature is Tao. Tao is everlasting.
      [5] The absolute principle underlying the universe
      [6] That in virtue of which all things happen or exist
      [7] The intuitive knowing of life that cannot be grasped full-heartedly as just a concept

    But, surely, all there is is human cognition? In such an instance, there is no unknowable, in the way it is commonly assumed, instead, the unknowable is always knowable.
    For example, knowing that it sounds silly, someone asks, so you know the thing in itself then? And I'd say, what are you referring to, in your mind, when you mention the thing in itself?
    Surely if you can think it, I can know it?
    Aidan buk

    This is the heart of the question that Lao Tzu, and I think Kant, are getting at. How can you know something that can't be put into words? As the verse says, the unnamable, the Tao, is reality. The world we deal with conceptually consists of particular things - cars, apples, electrons, galaxies - which manifest from the Tao by being named. Some translators call these particular things "the ten thousand things," which I love. Putting things into language is what brings our world into existence. This is my particular interpretation, with which many disagree.

    I'm certain that there are many people here on the forum who can find fault with my comparison of the Tao with noumena. I'm not claiming there is an exact correspondence, but it is clear to me that at heart the two men were talking about the same experience - knowing what can't be put into words. The unspeakable.
  • Zen - Living In The Moment
    I guess you've never heard of the Zen Mastercard.praxis

    Don't chant "Om" without it.
  • "I've got an idea..." ("citizen philosophy")
    Thanks, I just read it, and I'm sure I will read it many times more. It's a wonderful poem, dense and rich with allusion. I don't remember having read it before, which means I probably haven't; it is not a forgettable poem.Janus

    I'm glad you liked it.
  • "I've got an idea..." ("citizen philosophy")
    How's that for unequivocality that may even speak to Frost's very point?Janus

    Have you read "Black Cottage?" It's my favorite Frost poem. My favorite poem. One of my favorite written works. It gives me shivers every time I read it. As I said, there's a lot more going on than just what I quoted.
  • "I've got an idea..." ("citizen philosophy")
    I just don't think it is true that there have been no new ideas since soon after the dawn of writing; I haven't seen any evidence to support that claim and much to refute it.Janus

    I'm not the one to give you a better argument than the admittedly weak one I already have.
  • "I've got an idea..." ("citizen philosophy")
    So, treating this not as poetry, but as philosophy for a moment, is the claim that all beliefs are always true, and are only counted false at times, or that beliefs can at some times be true and at others untrue? If the latter would this depend on changing conditions or is the poet suggesting that truth and falsity depend on prevailing?Janus

    If you are at all familiar with my oeuvre, you've heard me say that metaphysical ideas are not true or false, they are more or less useful in particular situations. That's part of the sense I get from what Frost has written, although there's a lot more going on too. But, dear God, he says it better than I ever could. He's one of our most philosophical poets.