As I have said before, with the dialogues we need to look not only at what is said but at what is done. — Fooloso4
Correct. And the crux of the matter is, are they the shoes (1) of a philosopher or (2) of an author of comedy? — Apollodorus
Playwrights were big celebrities back then. I don't know, probably best to just drop it, huh? There's more important stuff in the world — frank
I didn't know about the Bacchants. — Amity
Exchanged for one another without wisdom such virtue is only an illusory appearance of virtue; it is in fact fit for slaves, without soundness or truth, whereas, in truth, moderation and courage and justice are a purging away of all such things, and phronesis itself is a kind of cleansing or purification. (69c)
There are indeed, as those concerned with the mysteries say, many who carry the thyrsus but the Bacchants are few. These latter are, in my opinion, no other than those who have practiced philosophy in the right way.(69d)
practicing philosophy in the right way means,
"in truth, moderation and courage and justice". — Fooloso4
... the soul in its very entering into a human body was the beginning of its destruction, like a disease (95d)
I deliberately repeat it often, in order that no point may escape us, and that you may add or subtract something if you wish.
There is nothing that I want to add or subtract at the moment. That is what I say.(95d-e)
Socrates paused for a long time, deep in thought. (95e)
"This is no unimportant problem that you raise, Cebes, for it requires a thorough investigation of the cause of generation and destruction. I will, if you wish, give you an account of my experience in these matters. (96a)
Listen then, and I will, Cebes, he said. When I was a young man I was wonderfully keen on that wisdom which they call natural science, for I thought it splendid to know the causes of everything, why it comes to be, why it perishes and why it is. (96a)
One day I heard someone reading, as he said, from a book of Anaxagoras, and saying that it is Mind that directs and is the cause of everything. I was delighted with this cause and it seemed to me good, in a way, that Mind should be the cause of all. I thought that if this were so, the directing Mind would direct everything and arrange each thing in the way that was best. If then one wished to know the cause of each thing, why it comes to be or perishes or exists, one had to find what was the best way for it to be, or to be acted upon, or to act. On these premises then it befitted a man to investigate only, about this and other things, what is best. (97b-d)
After this, he said, when I had wearied of looking into beings, I thought that I must be careful to avoid the experience of those who watch an eclipse of the sun, for some of them ruin their eyes unless they watch its reflection in water or some such material. A similar thought crossed my mind, and I feared that my soul would be altogether blinded if I looked at things with my eyes and tried to grasp them with each of my senses. So I thought I must take refuge in discussions and investigate the truth of beings by means of accounts [logoi] … On each occasion I put down as hypothesis whatever account I judge to be mightiest; and whatever seems to me to be consonant with this, I put down as being true, both about cause and about all the rest, while what isn’t, I put down as not true. (99d-100a)
Consider then, he said, whether you share my opinion as to what follows, for I think that, if there is anything beautiful besides the Beautiful itself, it is beautiful for no other reason than that it shares in that Beautiful, and I say so with everything. Do you agree to this sort of cause?—I do.
I no longer understand or recognize those other sophisticated causes, and if someone tells me that a thing is beautiful because it has a bright color or shape or any such thing, I ignore these other reasons—for all these confuse me—but I simply, naively and perhaps foolishly cling to this, that nothing else makes it beautiful other than the presence of, or the sharing in, or however you may describe its relationship to that Beautiful we mentioned, for I will not insist on the precise nature of the relationship, but that all beautiful things are beautiful by the Beautiful. That, I think, is the safest answer I can give myself or anyone else. (100c-e)
It seems to me, Socrates, as perhaps you do too, that in these matters certain knowledge is either impossible or very hard to come by in this life; but that even so, not to test what is said about them in every possible way, without leaving off till one has examined them exhaustively from every aspect, shows a very feeble spirit; on these questions one must achieve one of two things: either learn or find out how things are; or, if that's impossible, he must sail through life in the midst of danger, seizing on the best and the least refutable of human accounts, at any rate, and letting himself be carried upon it as on a raft - unless, that is, he could journey more safely and less dangerously on a more stable carrier, some divine account. (85c-d)
And when you must give an account of your hypothesis itself you will proceed in the same way: you will assume another hypothesis, the one which seems to you best of the higher ones until you come to something acceptable, but you will not jumble the two as the debaters do by discussing both the beginning and what emerges out of it, if you wish to discover any truth … but if you are a philosopher I think you will do as I say.”
What you say is very true, said Simmias and Cebes together. (101d-102a)
if the myth of recollection was true, none of this would be necessary. He would have simply recollected what he knew from being dead, the existence of Beauty itself, Justice Itself, the Good itself, and all the rest. — Fooloso4
I should add, in case it is not obvious, that wine and fertility are about bodily pleasures. And yet, Socrates throughout the dialogue has railed against the pleasures of the body. Here too, the context is "being mastered by pleasure" and the "exchange pleasures for pleasures", but he refers to the rites of the Bacchants "Riddles" and "mysteries" indeed! — Fooloso4
Those familiar with the Republic will recall the story of the ascent from the cave where it was necessary to first look at images of things (beings) before being able to look at things themselves, and then finally looking at images of the sun before looking at the sun itself. — Fooloso4
The thyrsus is the wand, but not all who carry the wand and participate in the rites understand them. They have, as it were, the props and go through the motions, but do not practice philosophy in the right way. And, if any confusion still remains, once again, practicing philosophy in the right way means,
"in truth, moderation and courage and justice". — Fooloso4
That is why I am struggling and others might find it all too obvious and have a quicker pace. — Amity
So, people learn through repetition; the repetition builds paths in our brain. Once people have been down the same path a few times, they find the place quicker next time round. — Amity
I deliberately repeat it often, in order that no point may escape us, and that you may add or subtract something if you wish.(95d)/quote]
As I pointed out:
Socrates now summarizes Cebes’ argument but makes a significant change without Cebes’ noticing. Did he forget his own argument? Cebes said that every soul wears out many bodies, but Socrates says:
... the soul in its very entering into a human body was the beginning of its destruction, like a disease (95d) — Fooloso4
There's no comedy or tragedy because it's not a drama. There's no story arc. — frank
Of course. Have you read any books about Meister Eckhart? — frank
There's no comedy or tragedy because it's not a drama. — frank
in Neo-Platonist times, interpreters of the dialogues took the dramatic form very seriously.
there was a tradition of taking seriously the dramatic form of the dialogue. It began in Germany in the 18th century with people like Schleiermacher. And that tradition extends through the 19th century, and you see it in scholars like Friedländer and in philosophical interpreters like Gadamer.
within the last ten years, even the analysts have began talking about the dramatic form of the dialogue
within the last ten years, even the analysts have began talking about the dramatic form of the dialogue — Fooloso4
It is something that I have been attempting to show — Fooloso4
It is significant that those who have opposed my interpretation have not said anything about the details of what Socrates says in the dialogue about myths. Instead they point elsewhere. — Fooloso4
It is significant that those who have opposed my interpretation have not said anything about the details of what Socrates says in the dialogue about myths. Instead they point elsewhere. — Fooloso4
In the Republic hypothesis is used to get free of hypothesis, back to the beginning of the whole. Here, however, Cebes and Simmias are told to go from hypothesis to hypothesis, but they do not free themselves from hypothesis. They are told not to discuss the beginning, but, of course, they can’t because they have not arrived at the beginning. They have not arrived at the forms. At best they have arrived at what seems to them best. The philosopher, if Cebes and Simmias are philosophers, does not have knowledge of the whole either through dialectic or recollection. — Fooloso4
The approach taken by Fooloso4 is analytical — Amity
Historically important modes of interpretation, like the Neoplatonic, and their modern counterparts—“unitarian,” “developmentalist,” analytical, esoteric, and Straussian
By contrast Leo Strauss and his followers specifically start from the multiplicity of the dialogues and the characters, situations, and conversations in them. At least in its original form, “Straussianism” is probably—at least in principle—the most sensitive of all approaches to the Platonic corpus (other than the most exclusively literary) to its dramatic aspects. Its methodology is hard to summarize but can perhaps fairly be said to consist in trying to see how the choice of characters, their setting, and their interactions affect the apparent outcomes of the argument.
There has been an important reappraisal in the way the dialogues are read. Influential figures are Jacob Klein and Leo Strauss, and his students including Alan Bloom, Stanley Rosen, Thomas Pangle, and Seth Benardete, and their students, including Charles Griswold, Rhonna Burger, David Roochnik, Laurence Lampert , and many others. — Fooloso4
For Strauss, there were three levels of the text: the surface; the intermediate depth, which I think he did think is worked out; and the third and deepest level, which is a whole series of open or finally unresolvable problems. Strauss tended to emphasize the first and the second. I wouldn’t say he didn’t mention the third, whereas I concentrate on the third. — Fooloso4
Have you thought of just drawing out the significant ideas instead of providing your interpretation? — frank
Between this and Rowe's criticism it is clear how far apart those who look at the dialogue as a whole with attention to parts are from those who say:
Have you thought of just drawing out the significant ideas instead of providing your interpretation?
— frank — Fooloso4
And to be clear, Socrates is talking about myths and those involved in the cults of mystical rites. Some here are advocating that we pay attention to them but ignore what Socrates says about them. If they are to be looked at, it should be from this perspective if looking at them is intended to shed light on the dialogue — Fooloso4
Are you joking or just ignoring what has been said? — Fooloso4
"What has been said" by whom? Are you taking us for a ride or something? — Apollodorus
Is what we have read so fr a lie-to-children or Wittgenstein's ladder? Is Socrates engaged in pedagogy, or is this a necessary logical step in the argument? — Banno
I think that perhaps two in "a half and another half are two" do not refer to some form of Twoness of the number two but to two as individuals, each being "a half"? — magritte
And you would loudly exclaim that you do not know how else each thing can come to be except by sharing in the particular reality in which it shares, and in these cases you do not know of any other cause of becoming two except by sharing in Twoness, and that the things that are to be two must share in this, as that which is to be one must share in Oneness ... (101c-d)
'But if that doesn't convince you, Simmias, then see whether maybe you agree if you look at it this way. Apparently you doubt whether what is called "learning" is recollection?'
'I don't doubt it,' said Simmias; 'but I do need to undergo just what the argument is about, to be "reminded". Actually, from the way Cebes set about stating it, I do almost recall it and am nearly convinced; but I'd like, none the less, to hear now how you set about stating it yourself.'
'I'll put it this way. We agree, I take it, that if anyone is to be reminded of a thing, he must have known that thing at some time previously.'
'Certainly.'
'Then do we also agree on this point: that whenever knowledge comes to be present in this sort of way, it is recollection?
'Well now, you know what happens to lovers, whenever they see a lyre or cloak or anything else their loves are accustomed to use: they recognize the lyre, and they get in their mind, don't they, the form of the boy whose lyre it is? And that is recollection. Likewise, someone seeing Simmias is often reminded of Cebes, and there'd surely be countless other such cases.'(73b-d)
I can't help thinking about the issue of 'suicide' which we quickly passed over — Amity
downed it with great readiness and relish.
I will still keep on...and hope this thread does too... — Amity
No sensible man would insist that these things are as I have described them, but I think it is fitting for a man to risk the belief—for the risk is a noble one—that this, or something like this, is true about our souls and their dwelling places … (114d) — Fooloso4
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