The point I'm making is that politics is inherent in the subjects that we are discussing. — Agustino
I do agree, I just consider the spiritual elements of this discussion to be the inner, foundational, primary aspect. The political is just the outer, secondary aspect, the "fruit". I'm sure you'd agree, we're pretty much talking about the same thing.
What kind of material about the Orthodox faith are you interested in? Philosophy? Theology? History? Novels? General information? — Agustino
Pretty much all of it? My perennial problem with my interest in this stuff is that I like painting in broad strokes, so something general with a wide view would be nice, at least to start.
That's why you'll find Eastern Orthodox Christians holding many different positions in thought - it's not as regimented as Catholicism. — Agustino
This is part of what attracts me. Also part of what attracts me to the mystics.
Well you're not mistaken, it isn't prevalent. Eastern Orthodoxy isn't legalistic by and large. — Agustino
I'm confused why you were so critical of my original comments about legalism right out of the gate, then. It seems like now you're saying similar things to my original post, including:
. What is happening now is that the West has been emptied of God - of the inner life - and only the virtues are left. — Agustino
Compare with:
But the tragedy of the age is that there seems to be no inner spiritual foundation for the call to equality, and this poverty of the spirit leads to a perpetuation of Otherness — Noble Dust
And I'd be interested to hear some feedback on the concept of Otherness that I tried to outline in my original post. It was one of the main thrusts of my post, but it hasn't really been addressed in this thread.
Your comments on self-worth are helpful, and not completely foreign to me, but they're a good reminder.
As people's freedom has expanded in the West, the nature of their heart showed itself more and more. — Agustino
Also Noble Dust I want to ask you a question as well. How should we deal with decadence as a society? — Agustino
It's really difficult for me to express my thoughts on freedom, legalism, decadence...to start with I'm not a logical thinker in the first place, so I have a ton of different seemingly unrelated thoughts swimming around in my mind in relation to these concepts. I'm first and foremost an artist, I've been a songwriter/composer for most of my childhood and adult life, and a key ingredient in trying to understand these concepts for me is creativity. Let me try to connect the concepts. This is another reason I was attracted to Berdyaev. When I create music, I feel God, I feel Kairos entering Chronos, with me as the vessel. Something I've always felt intuitively is that the creative, artistic urge (the artistic urge seems like the purest form of the creative urge) is not trying to make a work of art, but actually a new form of being or consciousness. I couldn't consciously verbalize this until I read these words in Berdyaev. When I did, I didn't feel I was encountering a new concept, I felt that my own thoughts were given shape and form. The creative act issues from freedom, a primordial freedom that is not separate from divinity. The last 100 years have been some of the most creatively fruitful in the West, but the art of modernity is marked by that same poverty of the spirit we've both discussed. And yet the creative urge is always a divine expression. This is why I consider atheism a religion; the icons of the atheist religion are in the art museums, performed in the concert halls, sold in the bookstores. But the key to me is that God is not entirely absent; again, the concept of a necessary godforsakeness. The godless freedom that the west created for itself gave birth to a highly artistic and symbolical, religio-atheistic world, a humanistic world, a (falsely) progressive world. But again, the tragedy of that world is the poverty of the spirit, and yet western modern art contains a painful longing; Kairos is felt entering into Chronos, but the poverty of the spirit immediately calcifies the art not into meaningful religious symbols, not into new forms of being or consciousness, but into tragic, meaningless idols. And yet the meaninglessness of the idols contains a precious, significant meaning, a secret key to understanding the West's position. You can't understand the modern West without understanding it's art. Freedom is complex, tragic, and diffuse in the West. I can't stress each of those words enough. Decadence is a natural result of this complex, tragic and diffuse freedom. Decadence itself has a hint of the divine in it; giving in to decadent passions screams of the longing for the divine; the drunkard and the prostitute are indeed so much closer to God than the Protestant pastor who has no inner spiritual life. It's not possible to revoke the freedom that the West has created for itself; the West will most likely eventually cave in on itself. I don't see another outcome. The only other possible outcome is an adoption of Eastern concepts, which is beginning to happen with Buddhism becoming popular, but whether a real inner life can be built by the West from this adoption is dubious (not the fault of Buddhism, the fault of the West's inability to apprehend an inner life). But this freedom, while being far from healthy, is also not inherently evil. The depths of human suffering are being revealed through this freedom, and the tragic creative urge, born of this freedom, is an important element in revealing that suffering. The revealing of the depths of suffering through this tragic freedom is an important element in the human drama, and I think it has an eschatological significance.