I think you still know what I mean with regards to the 'elite' who are the subject of the OP. In some respects, its {LOTR] inclusion on the curriculum rather proves the point. There was obviously some suggestion to include it, a complete lack of compelling evidence to the contrary, so on what grounds the previous snobbish dismissal? — Isaac
I'm an art-maker not an elite member of a critical group, I've spent much of my life writing prose, dialogue, music, poetry, songs, all for a living. I don't understand the either/or-ness of this debate. I've written episodes of tv soap operas watched by millions, and I've written obscure poems read by thirteen people. The arts (as I'd prefer to call the body of work) are a broad church. It's quite a common thing historically for popular art to be denigrated by one generation of arty-farts, then revered by the next. Take Rodgers and Hammerstein's musicals, Simenon novels, Shakespeare indeed.
When you've worked hard to create art of some kind you feel the work and the knowledge in it. Art is something humans have done since language began: the earliest musical pipes are 50,000 years old, and so on. We make art to help make sense of the world we find ourselves in. Sometimes our passing entertainment is of a high quality and people call it art, sometimes it isn't. I think Michael Bey for example is a highly-skilled entrepreneur, comparable to great showmen, but he isn't by my lights an artist. I know lots of people who work in film, and they have artistic standards they work towards. There is a body of practical opinion in any art-form which values some work more than others, and these valuations derive from experience and reflection. If you don't value such opinion, then to my mind you're missing out on part of the pleasure and understanding you can derive from any given art.
Lastly this is all very 'consumerist' to me. Art is something humans make not just what we gawp at. If you try to make the simplest video lasting more than ten seconds you start to feel the art in it: both skill, and shaping of understanding. Art is work, even to enjoy it as a consumer. To enjoy Shakespeare you have to do some background work: I think that's rewarding, because even now I wept the other month at a brilliant performance of King Lear in Manchester, and my tears and thoughts afterwards felt richer to me for the effort I've put in to understand the language and the shape of that play. Of course I've had to wade through some pretentious crap too to get there, but I've also read brilliant educators: take Anne Righter's (Barton's) 'Shakespeare and the idea of the play', a brilliant book I first read 50 years ago that I still remember with pleasure.
With this experience of my own, by the way, I think there is a perfectly good case for claiming Lord of the Rings is second-rate: verbose, derivative, with prose that isn't carefully styled, and with sometimes childish plotting and characterisation and not in a good way. That's my considered view. I don't think it's 'snobbish' or a 'dismissal' nor do I think it 'compelling evidence'. It's just something to weigh against other views. We only have our opinions, but they can be considered and well-informed, and I will respect them more if they are.