Your model appears to paint the world as an unfurling dialectical play of flux and stasis which relation is intimately tied to potential/constraint (is that right?) But the model, however, can be reached once and forever. A model is something constructed, but once constructed it appears to be provide atemporal truths. — csalisbury
Your characterisation of my position is accurate enough here. But I don't see the problem.
Surely a model by definition is going to be an atemporal truth? The map is not the territory, and all that....
The other thing is you seem to get something out of reasserting its principles - in distilled terms -over and over again, in all sorts of diverse threads. — csalisbury
Again, where is the problem if what I am asserting is itself paradigmatic? My organicism is developed at a level that undercuts the familiar discursive norms. So it always finds itself encountering that which it must speak its objections to - the brute classical materialism of the analytic mind, and the dazed romanticism which is the continental reaction to analytical sternness.
What makes philosophy enjoyable and worthwhile, for me, is the uncertainty and periodic aha moments - but so having found the right answers, why still do it? — csalisbury
First, its fun. Second, its useful to expose something I now hold with such certainty to the most randomly varied kinds of response. If I talk with fellow semioticians, it's quite boring because everyone understands and agrees with the generalities. So it is useful to stand up in front of a tough and disbelieving crowd. I've got so lazy that I need that stimulus to be bothered enough to continue the attempt to refine my position.
So you would be wrong in thinking that I have arrived at some actual terminus. As I say, for me personally, biophysics is currently taking off semiotically in the same exciting way that dissipative structure theory was rattling along in the 2000s, or complexity theory was in the 1980s.
And even for the crystalline metaphysical nub, there are huge issues still to sort out. It may be the case that Peirce, Rosen, Pattee and Salthe (plus 100 others) are all blindly feeling the same elephant, but each of these has developed their own particular slant on the central machinery of organicism.
So they may be good on the hierarchy theory aspects, the modelling relation aspects, but they don't really bring out the dichotomy aspect, the symmetry breaking aspect. And famously they also don't have properly worked-out models of vagueness either.
Thus when I talk about the necessity of fully mathematical treatment, that is as much a goad to myself. It sets the target - a unitary description that is actually mathematically crystalline.
Hierarchy theory, non-linear dynamics, statistical mechanics, etc, are all mathematical enterprises. But to use the elephant analogy, that's still talking at the level of trunks, tails and legs. It is not yet a maths of pan-semiosis, a maths that captures the essential generative seed in fully abstract or universalising fashion.
And maybe, like all theories of everything, we can never get there. It's a mirage, an impossible dream. I'm perfectly willing to listen to and respond to rational arguments in that direction. But then in my own lifetime all I've seen is a rollercoaster of scientific thought heading in this direction.
I mean who knew before the 1970s that you could mathematise chaos? And its been one damn thing after another in that regard.
As though - this is the insinuation - your model feeds on its difference from false models. and has to keep feeding. — csalisbury
Another thing I've often said is that I don't in fact reject the classical reductionist paradigm. Pragmatically it works and is widely believed for very good reason.
So the actual situation is that reductionism (or mechanicalism) fits in as a necessary part of my organic whole. And indeed, that is precisely why semiotics is about mechanism - stuff like codes, switches, boundaries, memories, networks, hierachies, etc. Semiotics simply inverts the relationship where the "messy organic dynamics", the "vague apeiron", is what is ontically fundamental, and mechanism is emergent regulative structure or habit.
So my position is based on the proper othering of the mechanical - the one that incorporates machines into nature. And it thus opposes itself to the kind of mechanicalism that wants to pretend that nature just is some kind of machine.
That is why I am not strongly opposed to the enlightenment and its resulting machine-model of reality. Turn it around, invert it in proper fashion, and it slots right into the bosom of a properly mathematical and empirical organicism.
But romanticism and its philosophical offspring? Sorry, but that is simply a tale of muddled wrongness. It is false in fundamental ways.
So to deal with your insinuation, of course my argument is going to be that every crisply developed view must achieve that development by "feeding off" the matchingly definite image of its "other". That is simply being self-consistent - matching ontology with epistemology.
Now maybe one must manufacture that counter-image in some sense. Perhaps it dosn't really exist. And to the degree it doesn't really exist, then I would have a problem. It would reciprocally weaken the image I was hoping to sharply develop.
So I am happy to consider that possibility. Indeed, I am here doing just that. But then it is up to you to show that the anti-crystalline nub fails to exist in the normed discourses of, say, AP or Pomo. If my diagnosis is so faulty, you can point to the faults.
When it comes to Contiinental philosophy, you may even have a point in arguing it can never be pinned down in the way I require because it is explicitly post-structure! Anything goes. There is no core to defend.
But that is to miss my criticism. To the degree that continentalism fails to be explicitly romantic, my argument is that it is being quite deliberately - that is crisply - vague.
Just open up any PoMo text at random. You get all these very definite seeming words, sentences, jargon, patterns of textual reference. It certainly looks crisp - an attempt to pin down ideas. But really you are dealing with a formless chaos, a dissonant noise, that folk with furrowed brows form a tight tribal circle around and make respectful murmurings. Genius is that which no one could understand.
Whoops, the accusation of romanticism is back in the frame again. How eristic of me.
;)