"The Critique of Pure Reason" discussion and reading group I compiled all my notes for the Transcendental Aesthetic and found that I had quite a bit of questions. I have used bracketed numbers in my notes to point to the associated question.
I: Transcendental Doctrine of Elements [0]
Summary:
First Part. Transcendental Aesthetic
I: Introduction
Intuition is the only means in which our knowledge immediately [1] relates to objects [2]. An intuition can only happen [3] if an object is given [4] to us, which can only occur if the object can affect the mind. The receptivity of the mind for representations through various modes is called sensibility. Objects are thought by the understanding, from which arise conceptions; but all thought must relate in some way to intuitions, and therefore sensibility [5].
Sensation is the means in which an object affects the faculty of representation [6]. Intuitions which relate to objects by means of a sensation are called empirical intuitions. The undetermined object of an intuition is called a phenomenon [7]. Within the phenomenon are its matter and its form; the matter corresponds to the sensation, and the form corresponds to the rules for the way the matter is represented. The matter of a phenomenon is given a posteriori, while the form is given a priori, for the form cannot be a sensation itself.
A representation is pure when nothing in it belongs to sensation. The form of phenomena is a pure representation which arranges the manifold content [8]. This pure form of sensibility can be shortened to simply pure intuition. There is no real object of sensation corresponding to a pure intuition, as this is a requirement for its purity.
The science of the principles of sensibility a priori is called transcendental aesthetic (the term “aesthetic” is referencing the first half of the ancients’ division of objects of cognition into the sensible and the conceivable). This forms the first science of the transcendental doctrine of elements, the second being the transcendental logic, which is the science of the principles of pure thought. To get to the forms of pure sensibility, which is the focus of transcendental aesthetic, sensibility must first be isolated from the understanding by stripping away all concepts; the raw empirical intuitions must then be stripped of all sensation. There are two pure forms which remain after all this has been done: space and time. Space will be investigated first.
Section I. Of Space
2. Metaphysical Exposition of this Conception [9]
A metaphysical exposition of a concept is a simple and clear representation of what belongs to the concept when it is given a priori. Space is the external sense of the mind, that being which permits the mind to represent to itself objects that are not itself. On the other hand, time is the internal sense of the mind, that being which permits the mind to contemplate itself and its states. Thus the focus here will be on determining what belongs to humans’ external sense - space - when this is given without any sensation.
1. Space is not given through outward experience, because the very notion of outward-ness (objects being separate from the mind and separate from each other) necessarily involves spatiality. Space must be prior to any outward experience for there to be any outward experience at all.
2. Thus space is a necessary condition, and not a determination, of all outward experience. To further illustrate the previous point: we cannot imagine objects that are not in space, but we can imagine space without any objects [10].
3. Space is not a discursive (or general) conception of the relations between things, but is rather a pure intuition, because there is only one all-encompassing space, which is prior to all of its parts [11].
4. Space can also be known to be an intuition, because it is given as an infinite quantity; while concepts can have infinite representations under it (it applies to an infinite number of representations), they cannot have an infinite number of representations within it (it must be defined by a finite number of representations), and the opposite is true for intuitions.
3. Transcendental Exposition of the Conception of Space
A transcendental exposition of a concept is an explanation of how other synthetical a priori cognitions are made possible through the concept. In order to do so, it must be shown that these cognitions are actually conditioned by the given conception, and further that this is only possible if the given conception is of a certain way.
Geometry will be the other synthetical a priori cognition used here, since it is the science which determines the properties of space in this way. Because geometry involves synthetic propositions, its subject matter - space - cannot be a concept, since no concepts alone cannot yield synthetic knowledge; thus space is an intuition. And because geometry is apodictic, space cannot be empirical, as apodicticity entails necessity and universality, which cannot be found through experience; thus space is a pure intuition which precedes the perception of objects. A pure intuition of external objects that is anterior to the objects themselves can only come from the subject is just what is meant by a form of sensibility - in this case, the form of the external sense.
4. Conclusions from the foregoing Conceptions
a. Space is not a property of things as they exist apart from the mind; it is a condition for the experience of external objects, and not a determination of these objects, since a determination of an object cannot precede the existence of the object it is determined by.
b. Space is the form of the phenomena of external sense, and nothing more. It is what makes possible external intuition, and its given-ness precedes that of objects of external intuition. Outside of the subjective point of view of a human mind, space has no meaning, it is nothing. It is a predicate that is applicable only to objects of human sensibility, that is, phenomena. The form of the external sense of other beings cannot be known.
Joining the limitation of a judgement to the conception of a subject gives it universal validity. For instance, the proposition “all objects are beside each other in space” is applicable only when they are taken to be objects of intuition, whereas the proposition “all things, as external phenomena, are beside each other in space” does not suffer this deficiency. Thus the expositions before demonstrate the empirical reality (objective validity) of space with respect to objects of sensibility, but the transcendental ideality of space with respect to things-in-themselves [12].
Space is the only subjective representation that has objective validity with respect to sensible intuitions; there is no other representation from which we can derive synthetical a priori propositions, like we do in geometry. Sensations are subjective but not ideal [13], and give no cognition of objects as intuitions do. They are not properties of things, but changes in the subject, which may be different across people, and so cannot ground any objective validity.
Section II. Of Time
5. Metaphysical Exposition of this Conception
1. Similar to that of space, the focus here will be on determining what belongs to humans’ internal sense - time - when this is given without any sensation or inner states.
2. Time is a priori, for neither coexistence nor succession would be perceptible to us if it was not in relation to time. Thus time is not empirical, as the notion of change requires there be time.
3. Time is a necessary representation, because we cannot think of phenomena apart from time, but we can think of time as apart from phenomena [14].
4. Since time is necessary, it is also possible to make apodictic judgments regarding it, such as “different times are not coexistent but successive” (just as different spaces are not successive but coexistent). Neither necessity nor universality can be derived from experience, so time is a priori.
5. Time is not a discursive conception, but a pure form of sensible intuition. Just like what was said for space, time is given as a single object that is prior to its parts, and only an intuition can relate to a single object. Also, the proposition that different times cannot be coexistent is synthetical, which prevents time from being a concept [15].
Each part of time is given as a limitation of the one unlimited time, just as space is. But conceptions can only furnish a partial representation [16], so time must be an intuition.
6. Transcendental Exposition of the Concept of Time
The conception of change and the conception of motion (change of place) is possible only through the representation of time; if this were not an internal, a priori intuition, no conception could make the conjunction of contradictorily opposed determinations in the same object comprehensible. Time allows for this in terms of succession, by placing one determination after another.
7. Conclusions from the above Conceptions
a. Time is not a property of things as they exist apart from the mind. For if it were real in itself, it would not present to the mind any real object; and it belonged as a determination to objects, it could not be their condition, and we could not form synthetical a priori propositions about it.
b. Time is the form of the phenomena of internal sense, and nothing more. It does not concern objects of external sense (those in space), but rather with the relations of representations in our internal state. These representations have no spatiality, so we use analogies to help describe them (such as a linear line extending into infinite). All of its relations can be expressed in an external intuition, which is yet another reason why time is an intuition [18].
c. Time is the formal condition of all phenomena, both internal and external. All representations of objects, external or internal, are determinations of the mind. They belong to our internal state, which is subject to the formal condition of internal intuition. Thus all phenomena stand necessarily in relation to time; immediately if they are internal, and mediately if external.
And just as with space, time has objective validity and a priori universality only with respect to objects of sensibility, and not with things as they are in themselves. Since all intuition is sensuous, no object can ever be presented in experience that is not conditioned by time. It is empirically real, that is to say, it has objective validity with respect to all objects of sense; but it is transcendentally ideal, that is to say, it is nothing outside of this domain.
8. Elucidation
One common objection to the aforementioned argument for the empirical reality and transcendental ideality of time is this: change is real, and is only possible through time, so time must be real as well. It is true that time is real, but only as the subjective internal sense; that is to say, it is a mode of representation of the self as an object, and not an object itself. However, that which is represented to humans by time does not stand in a necessary relation to time; if we (or another being) could intuit ourselves without time, there would be no change. Thus change is only real if time is real, and that which is represented through change need not be represented as such if time is not the condition of inner sensibility.
The reason why this argument is brought up so often is because time is taken to be an easier target than space. Objects in space cannot be proven to be absolutely real, due to the possibility of skeptical idealism; but objects of the inner sense are taken to be undeniably real. However, this ignores the nature of both objects, which is that they are phenomena. Phenomena have two aspects: the object considered in-itself, and the form of our intuition of the object. The form of phenomena as intuitions applies only because the form is provided by the subject. Space and time are the only forms of sensuous intuition, and they allow us to make synthetic a priori judgements, such as what is done by mathematics with space. Most importantly, they are only applicable to objects considered as sensuous phenomena, and not with the thing-in-itself.
If space and time are absolutely real (subsistence), then they must be eternal and infinite and exist (without being any object themselves) in order for all other real entities to exist, which results in absurdities when the understanding attempts to go beyond them. And if space and time are relational (inherence), then they are an abstraction from experience; in which case, apodictic propositions, like those of mathematics or physics, would be invalid, for experience cannot ground the necessity or universality that is required for apodicticity. Neither flaws are present for the theory of the transcendental ideality of space and time.
The Transcendental Aesthetic has only two components, space and time. All other representations of sensibility require experience. Even motion, which unites both, presupposes that there be an object (in space and time) that can move. Space and time have no such requirements. They are pure forms of intuition, and therefore require no empirical sensation for their representation.
9. General Remarks on Transcendental Aesthetic
I. In order to avoid misunderstanding, all that has been said so far with respect to sensuous cognition will be summarized. Our intuitions are nothing but the representation of phenomena; the things and the relations that we intuit are not the same (in themselves) as our representation of them in intuition. These representations - and crucially including their spatial and temporal properties - are dependent upon the subject, and are nothing without it. The nature of the thing-in-itself that is represented to us through intuition is completely unknown and can never be known; nor can it be known how it is represented to other perceptive beings with different receptivities.
Space and time are the pure (a priori) forms of intuition, the matter of which being provided by sensation. They alone can be cognized independently of experience, and in fact are given antecedently to all actual perception [18]. Only the pure forms can provide apodictic knowledge by grounding necessity and universality; empirical (a posteriori) sensations are contingent and can only provide it relatively. And no accumulation of empirical knowledge will ever yield any knowledge of the thing-in-itself, but only knowledge of our own sensibility.
[19]
The distinction between essential and accidental properties of phenomena is merely empirical, and does not represent any property of the thing-in-itself, as the transcendental object remains entirely unknown. When viewing a rainbow through a sunny shower, the empirical distinction might be to assign the rainbow as an accidental feature (dependent upon things like the geometric orientation of the person), while the raindrops are the essential feature (because they exist regardless of the rainbow existing). But the transcendental distinction would be to assign both the rainbow and the raindrops (including their spatial and temporal properties) to mere phenomena - that is, representations that are inseparable from sensibility - while the thing-in-itself remains unknown.
The theory of the Aesthetic must not just be plausible, but undeniably certain, if it is to serve as an organon for a greater Transcendental Philosophy. To do so, it will be helpful to assume an opposite view; that space and time are in-themselves objective and conditions for the possibility of objects as things-in-themselves. From where do we cognize the apodicticity of synthetic a priori propositions concerning these forms, as we do in geometry or physics? It can only be through intuition or conceptions given a priori or a posteriori. Empirical concepts founded on empirical intuitions cannot provide the necessity nor the universality required for apodicticity, so space and time must be a priori.
But conceptions by themselves cannot render synthetic propositions; the only possibility remaining is for space and time to be a priori intuitions - that is to say, intuitions are given to us by ourselves, and not through sensation. Yet if they are a priori intuitions, but did not belong to a faculty of intuition, then it would be impossible to formulate any synthetical propositions regarding external objects [21] whatsoever, because there would be no way to know if the necessity of your representation being the way it is, is also found with the object of the representation as it is in-itself. If space and time are forms of the external sense, however, then while the thing-in-itself is still unknowable, the objective validity of phenomena is retained.
II. In further demonstration of the ideality of space and time, it will be noted that all of our cognition belonging to intuition contains nothing more than mere relations (feelings of pain and pleasure, as well as the will, are exempted, since they are not cognitions [22]). The relations for space are: extension (of place), motion (change of place), and the forces of motion (the laws in which this change of place is determined). Time contains the relations of the successive, the coexistent, and the permanent (the successive and the coexistent). The things that are involved with these relations are not given through intuition. Relations themselves cannot give any knowledge of a thing-in-itself, so the forms of intuition only contain the relation between the object and the subject, and not the object in-itself.
A representation that precedes all thought of an object is an intuition, and when it contains nothing but relations, it is a form of intuition. The form presents us with no representation itself except when something else is placed in the mind [23]; in other words, the form can only be the way in which the mind presents itself with representations and is affected by itself. The subject is represented to itself as a phenomenon through the internal sense, time, and not as it is in-itself, were it to be intuited spontaneously (intellectually).
The question at hand is, how can the subject have an internal intuition of itself? It will be noted that apperception (the consciousness of the self) is the basic representation of the “ego”; and if by it every representation of the manifold in the subject were spontaneously given, then the internal sense would indeed be intellectual. But for a human, this consciousness requires an internal perception of the manifold representations which were previously given in the subject, the manner of which is called sensibility (which is the absence of spontaneity). Self-consciousness can only apprehend what is in the mind if it can affect the mind and produce an intuition of the self, which is only a phenomenon arranged by the internal sense, or time.
III. To say that intuition of objects through the forms of space and time represents objects as phenomena is not to say that they are mere illusions. A phenomena is that which is never found in the object itself, and only and always with the relation of the object with the subject and the representation of it by the subject. Phenomena truly are given, and are objective with respect to the conditions in which they are given. They are only illusory when these predicates are applied outside of this domain [24].
IV. The object of God (which can never be an object of intuition to us [25]) must have spontaneous intuitions as his only means of cognition, since thought always involves limitation [26]. This intuition must not involve the conditions of space and time [27]. But if space and time are forms of objects as things in themselves, they would also be the conditions of the existence of God, which would seem to contradict the idea of God being infinite. But if space and time are not objective forms of things, then they must be subjective and be the forms of our intuition, which is sensuous, by which we mean the subject is affected by an object that already exists.
Even if all beings have the same forms of sensibility, this universality would not change the fact that it is still sensuous, and not intellectual (it is deduced, not original [28]), which seems to only belong to God. But this is only an illustration of the Aesthetic, and not a proof of it.
10. Conclusion of the Transcendental Aesthetic
This concludes one part of the solution to original problem formulated in the Introduction, that being: “how are synthetical propositions a priori possible?” It has been demonstrated that we are in possession of pure intuitions (space and time), which allow us to pass beyond a given conception and connect it with a foreign representation during an a priori judgement, and thereby form a synthesis. These judgements, however, do not apply to anything but the objects of our senses, and are only objectively valid when considered in relation to possible experience.