It's not clear to me what you mean by perception...
Could you clarify? — Michael
That's a fair question, and I think the disagreement turns on a few distinctions that are easy to blur, so I'll try to make them explicit.
By perception I mean a non-inferential sensory openness by which an object is presented to a subject. By judgment I mean the act of affirming or denying that things are a certain way (“the apple exists now,” “the apple is red”). Perception is not itself a judgment, but it constrains judgment; inference is a further step where one belief is formed on the basis of others. So when I say perception does not proceed by inference from a surrogate, I mean that awareness of the apple is not achieved by reasoning from awareness of something else to the apple. When I say error lies in judgment rather than perception, I mean that perceptual presentation can remain world-anchored even when the judgment formed on its basis is false.
This helps with the slow-light apple case. If the apple disintegrates before the light reaches me, then the judgment “the apple exists now” is false. But that does not mean what is present to perception is a mental item or a memory. What is present is the apple’s visible presence at my location, carried by light. The light is not a third object perceived instead of the apple; it is the means by which the apple makes itself perceptually available across space and time. I am seeing the apple, but not the apple-as-it-exists-now. The mistake is one of temporal indexing at the level of judgment, not a loss of perceptual contact with the world.
This also clarifies the visor case. The point is not that the subject must consciously assess the visor’s accuracy. The point is structural: the epistemic warrant for beliefs about the distal object depends constitutively on the visor’s reliability. A visor produces a representation—an image whose correspondence to the scene is a further fact beyond what is perceptually given. Even if the subject is unaware of the visor, their access to the object is mediated by something whose correctness matters for warrant. That is why the perception is indirect.
This is what distinguishes visors from ordinary causal media like light, windows, or mirrors. Windows and mirrors can distort, but such distortions are typically perceptually available as distortions: a tinted window looks tinted, a curved mirror looks curved. They do not introduce a representational layer whose fidelity must be independently assessed in order for the object to be perceptually present. By contrast, a visor can systematically misrepresent without any perceptual cue that it is doing so. The difference is one of epistemic role, not degree of distortion.
That is why the question “when does mediation stop?” has no answer in terms of speed, distance, or number of causal links. Directness is not defeated by more mediation, but by a change in kind—from causal conduits that transmit an object’s own appearance to representational systems whose accuracy must be relied upon. Ordinary light propagation, reflection, and refraction do not play the latter role; visors, screens, and instruments do.
So the distinction I’m drawing is not a truism that would also accommodate a Cartesian theatre. The contrast is not between mediated and unmediated, but between non-inferential presentation of an object and awareness that depends on the correctness of a representational intermediary. That is the sense in which perception can be direct without being instantaneous, infallible, or free of causal structure.